Jeffrey Burton Russell notes that "A woman named Marta was tortured in Florence about 1375: she was alleged to have placed candles round a dish and to have taken off her clothes and stood above the dish in the nude, making magical signs".
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Witchcraft scholar Jeffrey Russell devoted some of his 1980 book A History of Witchcraft: Sorcerers, Heretics and Pagans to arguing against the claims in Aradia, Murray's thesis, and Jules Michelet's 1862 La Sorcière, which also theorised that witchcraft represented an underground religion.
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Aradia, or the Gospel of the Witches is a book composed by the American folklorist Charles Godfrey Leland that was published in 1899.
Burchard's mention of Herodias is relevant especially the theories of Charles Godfrey Leland presented in Aradia, or the Gospel of the Witches (1899), and taken up in the Stregheria of Raven Grimassi.
The second paragraph is largely derived and paraphrased from the words that Aradia, the messianic daughter of Diana, speaks to her followers in Charles Godfrey Leland's 1899 book Aradia, or the Gospel of the Witches, London: David Nutt; various reprints.
Another variant of the chant expanded the Eko, eko opening to four lines, using these words to salute various Wiccan deities, typically Cernunnos and Aradia.
Projects on the boards during the time that Willis worked with Hunt and his partner Elmer Grey include:the Edith Daniels House, in Aradia, CA (1904), the Livingston Jenks House, San Rafael, CA (1904), the Astronomer's House (aka The Monastery) and other buildings, at the Mount Wilson Observatory, Mount Wilson, CA (1904), the Thomas H. Foote House, East Colorado Street, Pasadena, CA (1905), and the J.W. Gillespie House, in Montecito, CA.
Grimassi shares in common, in his books, the general "Witch-cult hypothesis" that appears in the writings of Charles G. Leland (Aradia, or the Gospel of the Witches, 1899), a theory to the effect that European witchcraft was the continuation of an ancient pre-Christian form.