Key figures closely associated with the movement are Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz, Marisa Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini, and Gilberto Zorio.
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This movement also paralleled the Abstract Expressionism movement that was taking place at the same time in the United States, and had ties to the Arte Povera movement.
Germano Celant, when writing about Arte Povera, invited Ginzburg by letter to join his movement.
Nowadays the castle houses the subprefecture buildings, and since 1985 the museum of contemporary art where one can admire the works of Dadaist artist, Raoul Hausmann, and works of international artists from the 1960s to today, such as Giuseppe Penone, Arte Povera, Christian Boltanski or Tony Cragg.
His most lasting influence, however, was on Arte Povera, a group of Italian artists, including Luciano Fabro and Alighiero e Boetti, who brought everyday materials into their work in a movement analogous to contemporary radical politics.
In 1966 and -67, the Italian artist Alighiero Boetti stretched sections of the fabric on frames under the title "Mimetico" (camouflage) as art of an exhibition on the Arte Povera art movement.
One of the early contributors to the Arte Povera movement living in Genoa in the 1960s, Prini became involved in shows such as "Arte povera - Im spazio" and "Collage 1" curated by Germano Celant, art critic credited with grouping the artists together.
"Arte Povera" was essentially formed around two nucleus: one in Turin, with artists such as Michelangelo Pistoletto, Mario Merz, Marisa Merz, Giuseppe Penone, Giulio Paolini, Giovanni Anselmo, and Piero Gilardi; and one in Rome, with Alighiero Boetti, Jannis Kounellis and Pino Pascali.