This disappearance of the subject can also be seen in the theater of absence exemplified by playwrights like Beckett and Adamov, as well as in non-representational art.
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Roger Planchon transposed many works by Brecht, Molière, Shakespeare, and many works of contemporary authors, including Arthur Adamov and Michel Vinaver, but also opened the Théâtre National Populaire to Patrice Chéreau, then Georges Lavaudant.
Inspired by the theatrical experiments in the early half of the century and by the horrors of the war, the avant-garde Parisian theatre, "New theatre" or, as the critic Martin Esslin termed it, "Theatre of the Absurd," around the writers Eugène Ionesco, Samuel Beckett, Jean Genet, Arthur Adamov, Fernando Arrabal, refused simple explanations and abandoned traditional characters, plots and staging.