Other tattoos include his parents' names (Priscilla and Charles) on his forearms, an owl on his back, one teardrop on his index finger on both hands, and a picture inspired by Aubrey Beardsley's famous art, "The Peacock Skirt", on his left arm.
There is much additional information in Caught in the Act, as well as examples of his work, sometimes said to be "Beardsleyesque."
The firm was the American publisher of Oscar Wilde's Salomé, illustrated by Aubrey Beardsley; The Yellow Book periodical, also illustrated by Beardsley; and The Black Riders and Other Lines by Stephen Crane.
Among the painter's most famous works are portraits of his father, Marcel Proust (private collection, Paris), the poet Pierre Louÿs, the Thaulow family (Musée d'Orsay, Paris), Aubrey Beardsley (National Portrait Gallery, London), and Yvette Guilbert and the infamous beauty Virginia Oldoini, Countess of Castiglione whom his father had treated for mental illness.
Christophe Karel Henri (Karel) de Nerée tot Babberich (March 18, 1880 – October 19, 1909) was a Dutch symbolist artist who worked in the decadent and symbolist style of Aubrey Beardsley.
In his youth Krabbé studied the Face Book (Gelatenboek) by Petrus Camper (1780) and found his inspiration as a painter in Cubism, children’s drawings, Joseph René Gockinga (1893–1962) and Aubrey Beardsley.
The materials in his collection, particularly those relating to Aubrey Beardsley, Max Beerbohm, Oscar Wilde, and other writers and artists of the 1890s, have provided the basis for numerous publications and exhibitions.
He also became known for his drawings of grotesque or erotic characters, in a similar way to Aubrey Beardsley, and for his sculptures.
In 1896 he became successful as an illustrator for the satirical Munich magazine Simplicissimus, for which he appropriated the stylistic idiom of Jugendstil and the graphic qualities of Henri de Toulouse-Lautrec, Aubrey Beardsley and Japanese woodcuts.
Aubrey Beardsley | John Aubrey | C. Aubrey Smith | Aubrey Herbert | Aubrey de Grey | Peter Beardsley | Aubrey Williams | Jack Aubrey | Dick Beardsley | Aubrey Gwynn | Aubrey de Vere I | Terence Aubrey Murray | Sir Henry Aubrey-Fletcher, 8th Baronet | Samuel Beardsley | D. Aubrey Moodie | Aubrey Schenck | Aubrey Plaza | Aubrey-Maturin series | Aubrey Manning | Aubrey Hampton | Aubrey de Vere, 20th Earl of Oxford | William S. Beardsley | William Beardsley | Recurring characters in the Aubrey–Maturin series | James Aubrey Simmons | Harry Aubrey Toulmin, Sr. | Aubrey Woods (motor racing) | Aubrey Woods | Aubrey Wisberg | Aubrey Miles |
From late 1895 through 1896 he edited, along with Aubrey Beardsley and Leonard Smithers, The Savoy, a literary magazine which published both art and literature.
This poem, as translated by Aubrey Beardsley, was set by the composer Ned Rorem under the title "Catullus: On the Burial of his Brother".
In 1897, they settled in London, where Reed worked as an illustrator, in particular, for the Yellow Book, a quarterly literary periodical, which was co-founded by Aubrey Beardsley.
Harry Clarke brought his expertise in working in fine decorative detail in glass to his book illustrations, most notably in the tales of Hans Christian Andersen and Edgar Allan Poe where he is compared to Aubrey Beardsley and which are featured in the film and paralleled with German Expressionist cinema of the time.
Critics tend to group Crackanthorpe together with a clutch of young British writers and artists of the 1890s who suffered untimely deaths caused by various factors, including suicide, alcohol abuse or tuberculosis; e.g. Oscar Wilde, Ernest Dowson, Lionel Johnson, and the two editors of the Yellow Book, Aubrey Beardsley and Henry Harland.
Through the Professor, allusions made are to Homer, Georg Autenrieth's A Homeric Dictionary, H. L. Ahrens's Griechische, Formenlehre, John Flaxman, The Trojan War, Harlequin, Friedrich Nietzsche, Artemis, John Keats, Rhesus of Thrace, Achilles, Patroclus, Aubrey Beardsley, Franz Schubert, Theseus, Centaur, Jack the Giant Killer, Golden Helen, Hector, Andromache.