She founded Wild Iris theatre company in 1992, for which she directed theatre productions at the Bristol Old Vic theatre, the Tricycle Theatre, the Bush Theatre and the Battersea Arts Centre.
Bachelor of Arts | Master of Arts (postgraduate) | National Endowment for the Arts | Master of Arts | American Academy of Arts and Sciences | Electronic Arts | Museum of Fine Arts, Boston | Academy of Motion Picture Arts and Sciences | Tisch School of the Arts | mixed martial arts | Institute of Contemporary Arts | École des Beaux-Arts | centre | California Institute of the Arts | British Academy of Film and Television Arts | École nationale supérieure des Beaux-Arts | Centre Georges Pompidou | University of Music and Performing Arts, Vienna | Rogers Centre | Museum of Fine Arts, Houston | martial arts | Pennsylvania Academy of the Fine Arts | Academy of Fine Arts | Beaux-Arts architecture | Mixed martial arts | Museum of Fine Arts | Barbican Centre | Arts and Crafts movement | New York Foundation for the Arts | Lincoln Center for the Performing Arts |
Recently the festival has also included visits to Laban, Battersea Arts Centre, the Criterion Theatre, TATE Modern, Brick Lane Music Hall and Siobhan Davies Studios.
In 2007 Laskey worked with Punchdrunk theatre company, creating the role of Roderick Usher in their site specific, promenade production The Masque of the Red Death - an adaptation of various Edgar Allan Poe short stories at London's Battersea Arts Centre.
He directed and designed productions for a number of fringe and experimental theatres, including Battersea Arts Centre and the Institute of Contemporary Arts, and also worked alongside companies such as Improbable theatre, Complicite, Shared Experience, and the late Ken Campbell.
Her plays have appeared at other venues including the National Theatre, the Battersea Arts Centre, the Crucible, Sheffield and Chicken Shed.
Cheryl was one of six featured composers in Tete a Tete's opera project Family Matters (based on Beaumarchais’ third Figaro play The Guilty Mother) with a libretto by Olivier-Award winner Amanda Holden: workshops took place in Battersea Arts Centre in September 2003, with the final opera being staged throughout February 2004 at the Bridewell Theatre, followed by twelve performances around the country.
They opened their first full show at the Battersea Arts Centre as part of the London International Mime Festival in January 1985 their first theatres show 'Juggling With A Social Conscience'.