In 1976, he joined the New York-based gay cabaret group, the Hot Peaches, performing with them in Europe, culminating in a show at the Institute of Contemporary Arts in London.
The Institute of Contemporary Arts included work of his in a 1954 exhibition, and other shows followed.
The exhibit, which traveled to the San Francisco Museum of Modern Art, the Institute of Contemporary Arts in London and Queen's University in Belfast, Northern Ireland, was praised for its presentation of cool abstractions which were very different from the emotional ones of the established abstract expressionist movement.
From 1955 to 1960 he was Assistant Director of the Institute of Contemporary Arts in London.
Eureka Entertainment acquired the distribution rights for the United Kingdom, opening theatrically on 18 July 2008 at the Institute of Contemporary Arts (ICA) London and nationwide after that, with DVD and Blu-ray Disc editions released on 20 October 2008 as part of their Masters of Cinema series.
It was recorded from shows in London and Nottingham on the Greed/Holy Money tour in 1986, the first six songs taken from a show at London's I.C.A. Public Castration Is A Good Idea is often regarded as the band's most brutal extant live album, the song performances here are musically quite different from their studio versions, in particular the lengthy, minimal version of "A Screw".
After a period as an Assistant Curator at the Tate Gallery (1976–80) Nairne was appointed Director of Exhibitions at the Institute of Contemporary Arts (ICA), a position he held until 1984 - exhibitions included "Brand New York," Robert Mapplethorpe, Mary Miss, "Women's Images of Men," and "About Time."
Hepworth donated a one copy of the work (cast 6/7) to an auction for the benefit of the Institute of Contemporary Arts in 1966.
Bachelor of Arts | Massachusetts Institute of Technology | Master of Arts (postgraduate) | National Endowment for the Arts | California Institute of Technology | Master of Arts | Art Institute of Chicago | American Academy of Arts and Sciences | Institute for Advanced Study | Electronic Arts | American Institute of Architects | Contemporary R&B | Museum of Fine Arts, Boston | Georgia Institute of Technology | Rensselaer Polytechnic Institute | Academy of Motion Picture Arts and Sciences | Tisch School of the Arts | mixed martial arts | Rochester Institute of Technology | Franklin Institute | Royal Institute of Technology | Pasteur Institute | Institute of Contemporary Arts | École des Beaux-Arts | Museum of Contemporary Art | California Institute of the Arts | Institute of Electrical and Electronics Engineers | British Film Institute | British Academy of Film and Television Arts | Pratt Institute |
In 1978 her photographic exhibition Approaches to Fear was staged by Sarah Kent, who was then Exhibitions Director at the Institute of Contemporary Arts in London.
Dietch Projects, New York
Galerie Rodolphe Jansses, Brussels
New Museum of Contemporary Art, New York
Small A Projects, Portland, Oregon
Galerie Loevenbruck, Paris
Institute of Contemporary Arts, London
Marc Foxx, Los Angeles
Roberts & Tilton Gallery, Los Angeles
ACME, Los Angeles
Mesa Arts Center, Mesa, Arizona
Lacey contributed to Jasia Reichardt's Cybernetic Serendipity exhibition in 1968 at the Institute of Contemporary Arts, exhibiting a robotic owl and actors: Rosa Bosom and Mate plus a sex-simulator.
He has shown work internationally in many important exhibitions including the 2002 Sydney Biennial, “Hollywood is a Verb” at Gagosian Gallery in New York, the 19th John Moore’s Painting Prize at the Walker Art Gallery in Liverpool, “Die Young Stay Pretty” at the ICA London, “Remix” at Tate Liverpool and “New Neurotic Realism” at the Saatchi Gallery in London.
Rendel has participated in various exhibitions including COMICA at the Institute of Contemporary Arts, London, 2008 and Cut my legs off and call me shorty! at Tensta Konsthall, 2009.
In 2011 the band played a support slot for Chris & Cosey at the ICA and Chris Carter joined the band later that year for two performances: Primavera Sound and the Roundhouse.
Holmqvist has exhibited at the ICA - Institute of Contemporary Arts 2009, CAM - Chelsea Art Museum, 2009, The Living Art Museum, Reykjavik (2008), Tensta Konsthall (2008) Manifesta 7 - Comitato Manifesta 7, Bolzano (2008) and at PERFORMA 05 - Performa, New York City, NY (2005)
Amerika has been named a "Time Magazine 100 Innovator," and his digital artwork has been shown at museums around the world, including five major retrospectives, one each at the Institute of Contemporary Arts in London, the Media Arts Plaza in Tokyo, Ciberart Bilbao, FILE (Electronic Language International Festival) in São Paulo, and most recently the National Museum of Contemporary Art in Athens.
It is retailed in Borders nationwide and many independent bookshops and galleries including the ICA and Tate Modern.
PayneShurvell is owned and run by artist and curator James Payne who has shown work at Transition Gallery and is also a writer for Garageland and Arty and a columnist for The Huffington Post and Joanne Shurvell who was previously head of communications for the Institute of Contemporary Arts.
He directed and designed productions for a number of fringe and experimental theatres, including Battersea Arts Centre and the Institute of Contemporary Arts, and also worked alongside companies such as Improbable theatre, Complicite, Shared Experience, and the late Ken Campbell.
His performances and videos have been presented in the UK and internationally in venues such as The ICA, London (1996), The Young Vic, London (2000), CCCB, Barcelona (2006), Tanzquartier Wein, Vienna (2007) and the Centre d'art Scenique Contemporain Lausanne, Switzerland (2009).
His ideas and books, Space, Time and Architecture, and Mechanization Takes Command, had an important conceptual influence on the members of the Independent Group at the Institute of Contemporary Arts in the 1950s era.
He has shown work internationally in many exhibitions including solo show “The Furnishers” at White Columns in New York, “Galleon and Other Stories” at the Saatchi Gallery in London, “England Their England” at Laden fur Nichts in Leipzig, “Beck's Futures 2004” at the ICA in London and the CCA in Glasgow, and Studio Voltaire London.
Savaskan's music has been programmed widely by organisations and ensembles such as the ICA (Institute of Contemporary Arts, London) - in particular its fine 'MusICA' series run for many years by Adrian Jack, the BBC, Lontano, the Balanescu Quartet, the Smith Quartet, the S.E.M. Ensemble of New York, and such conductors as Martyn Brabbins, Zsolt Nagy and Petr Kotik.
He leads the Lone Wolf Recital Corps that has premiered works at ICA London, Rote Fabrik, Zurich, New World Symphony, Miami, P.S.1 MOMA, and ICA Philadelphia.
In April 2010 they supported Adam Ant at his notorious comeback gig at the Scala and in June they performed alongside Martin Creed at London's ICA.
Solo shows include the Institute of Contemporary Arts, London (1999), Berkeley Art Museum, San Francisco (2001), Museum der bildenden Künste, Leipzig (2001), the Stedelijk Museum, Amsterdam (2001), Centre d’Art Contemporain, Geneva (2004), Irish Museum of Modern Art, Dublin (2007), Camden Arts Centre, London (2008), and Musée d' Art Moderne, Luxembourg (2008).
He has shown work internationally in many exhibitions including the Museum of Modern Art (MoMA) in New York, International Center for Photography in New York, Les Rencontres d'Arles festival in France (2010), 18Gallery in Shanghai, Magda Danysz Gallery in Paris, Courtyard Gallery in Beijing, Institute of Contemporary Arts in London, Kunstnernes Hus in Oslo, the 2006 Gwangju Biennale in Korea and Pékin Fine Arts in Beijing.
Jean Laplanche: Seduction, Translation, Drives, A dossier compiled by John Fletcher and Martin Stanton, Translations by Martin Stanton, Psychoanalytic Forum, Institute of Contemporary Arts London, 1992.
In 1986, Burgin was nominated for the Turner Prize for his exhibitions at the Institute of Contemporary Arts and Kettle's Yard Gallery in Cambridge and for a collection of his theoretical writings (The End of Art Theory) and a monograph of his visual work (Between).