Andrea Gabrieli writes the music for the festivities celebrating the victory of the Venetians over the Turks after the Battle of Lepanto.
About 1675 he decorated the apse surrounding the main altar of the Dominican church in Vienna with two historic paintings of Christian victories, both attributed to power of the Rosary: 1) the Battle of Muret (1213) and 2) the Battle of Lepanto (1571).
James himself made translations of work by the Gascon soldier-poet du Bartas, and du Bartas in return translated James's own Lepanto.
He painted a few historical subjects: La galera d'Oufrè Giustinian announces to Venice the Victory at Lepanto.
But these guns were mounted in the ship's castles or in swivels, much in the way they were still mounted in the castles of the galleys at the Battle of Lepanto in 1571.
His play Scenes from an Execution, for example, centers on the aftermath of the Battle of Lepanto (1571) and a fictional female artist commissioned to create a commemorative painting of the Venetian victory over the Ottoman fleet.
It is named after Cristoforo Condocali, a Venetian statesman who was awarded the estate after his successful participation in the Battle of Lepanto.
The Morisma is based on the Battle of Lepanto, in which Christian forces under John of Austria defeated the Turkish (Ottoman) navy in 1571, thereby impeding Muslim expansion into Europe.
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These conditions applied alike to Phormio, the Athenian admiral of the 5th century BC, to the Norse king Olaf Tryggvason of the 10th century AD, and to the chiefs of the Christian and Turkish fleets which fought the battle of Lepanto in AD 1571.
The most famous Spanish marine is without a doubt Don Miguel de Cervantes Saavedra, author of the novel Don Quixote, who was wounded in the Battle of Lepanto in 1571.
From there Kemal Reis set sail and bombarded the Venetian ports on the island of Corfu, and in August 1500 he once again defeated the Venetian fleet at the Battle of Modon which is also known as the Second Battle of Lepanto.