The pills, and their marketing, were the basis for Beecham's Patent Pills, which became Beecham Estates and Pills in 1924, eight years after the death of Sir Joseph Beecham, the son of Thomas Beecham.
In 1886, Powers became a freelance copywriter, and worked for other companies including MacBeth's Lamp Chimneys, Beecham's Pills, Vacuum Oil, Scott’s Emulsion and Murphy Varnish.
Thomas Beecham | Beecham | Emily Beecham | Beecham's Pills | Sir Joseph Beecham, 1st Baronet | Sir Joseph Beecham | Beecham's Clock Tower built in 1877 in St Helens, Merseyside |
Betty Humby Beecham, Lady Beecham (1908 – 2 September 1958) was a British pianist, who married the English conductor and impresario Sir Thomas Beecham in February 1943.
In the latter part of the year, Beecham gave her first professional stage performance in Ian McHugh's debut play, How to Curse, directed at the Bush Theatre in West London's Shepherd's Bush by the theatre's artistic director Josie Rourke.
He had a career in management with Beecham, Great Universal Stores and Nestlé before becoming chief executive of Guinness plc (now a part of Diageo plc) in 1981, remaining in the position until 1986.
Jahnna Beecham and Malcolm Hillgartner met in 1978, when they were actors with the Oregon Shakespeare Festival in Ashland, Oregon.
Collaboration on two further operas, The Children of Don (first performed at the London Opera House, conducted by Thomas Beecham, on 12 June 1912) and Bronwen, brought about the completion of Holbrooke's most ambitious project, a trilogy under the collective title The Cauldron of Annwn setting Scott-Ellis' versions of tales from the Welsh Mabinogion.
As with successful entrepreneurs such as Enterprise Rent-A-Car’s Jack C. Taylor, Amazon’s Jeff Bezos and Pret A Manger’s Sinclair Beecham and Julian Metcalfe, Aggarwal insists customer service is the guiding principle of his business philosophy.
Beecham was the proprietor of the Aldwych Theatre in London, a Justice of the Peace for Lancashire and was Mayor of St. Helens between 1889 and 1899 and again from 1910 to 1912.
The 1959 Brutalist building was demolished and replaced by an insipid modern structure, and the existing SmithKline Beecham building was refurbished.
Positive reviews led to further performances in both Madama Butterfly and Mascagni's Iris in New York, San Francisco and Chicago, before returning to London to work with the Beecham company.