Late in life, he appeared in several films, including Saeed Mirza's Mohan Joshi Hazir Ho! (1984), Tamas (1986), Kumar Shahani's Kasba (1991), Bernardo Bertolucci's Little Buddha (1993) and Aparna Sen's Mr. and Mrs. Iyer (2002).
In 1992, he returned to cinema in The Death of a Neapolitan Mathematician by Mario Martone, and later worked for directors such as Bernardo Bertolucci, Pupi Avati, Ferzan Özpetek.
Together with Ryuichi Sakamoto and David Byrne, Su won the Best Original Score Academy Award for the Bernardo Bertolucci film The Last Emperor in 1987.
The film The Dreamers (2003) directed by Bernardo Bertolucci, with a script by Adair, was based on his book The Holy Innocents, which Adair revised and re-released under the same title as the film.
Di Giovanni also wrote the novel Novecento, published in the US and UK as 1900, based on the similarly titled film by Bernardo Bertolucci.
“That night”, says a local filmmaker, “will most likely be only comparable to the night that Bernardo Bertolucci’s masterpiece Last Tango In Paris premiered at the New York Film Festival back in October 1972.”
Minot has also co-authored two screenplays that have been made into films: Stealing Beauty (1996) with Bernardo Bertolucci, and Evening (based on her novel of the same name, 2007), written with Michael Cunningham.
She made her debut in Bernardo Bertolucci's Last Tango in Paris (1973), and also appeared in some of the director's subsequent films, La Luna (1979), The Sheltering Sky (1990), and Besieged (1998).
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In the film, Ismailos interviews directors of the late 20th and early 21st centuries, including Bernardo Bertolucci, Catherine Breillat, Liliana Cavani, Stephen Frears, Todd Haynes, Richard Linklater, Ken Loach, David Lynch, John Sayles, and Agnes Varda.
He subsequently hosted many other programs, finally becoming presenter of the interview program A fondo (1976–1981), in which he had the opportunity to interview Salvador Dalí, Jorge Luis Borges, Octavio Paz, Julio Cortázar, Camilo José Cela, Bernardo Bertolucci, Frederick Forsyth, Elia Kazan, Antonio Gala, Atahualpa Yupanqui, Francisco Umbral, Julio Iglesias and Silvio Fanti among others.
She stopped filming until the 1960s and 1970s, when she did 12 films, including Bernardo Bertolucci's Last Tango in Paris and Tinto Brass's Salon Kitty, her last film.
Many directors sought Piero Piccioni to score the soundtracks for their films: Francesco Rosi, Mario Monicelli, Alberto Lattuada, Luigi Comencini, Luchino Visconti, Antonio Pietrangeli, Bernardo Bertolucci, Roberto Rossellini, Vittorio De Sica, Tinto Brass, Dino Risi, and others.