NYPD Blue | Toronto Blue Jays | Blue Peter | Blue | Blue Ridge Mountains | Dark Shadows | Blue Öyster Cult | Blue Note Records | Blue Heelers | Pokémon Red and Blue | Winnipeg Blue Bombers | Blue Nile | The Shadows | Blue's Clues | ''Pokémon Red'' and ''Blue'' | Blue Man Group | Vida Blue | The Blue Danube | Rhapsody in Blue | blue plaque | Blue Mountain State | Blue Cheer | Blue Bloods | Blue Beetle | Ateneo Blue Eagles | The House That Shadows Built | Project Blue Book | Blue Hill, Maine | Operation Blue Star | Kind of Blue |
By the time of the record's release two years later in 1948, Fulson's style had already evolved into a West Coast blues style typified by his hit recordings for Downbeat and Swing Time, such as "Every Day I Have the Blues" and "Blue Shadows".
The tracks are ordered by the number of beats per bar, starting with "It's a Raggy Waltz" and "Bluette" in 3/4; "Charles Matthew Hallelujah", a tribute to his newborn son, in 4/4; "Far More Blue" and "Far More Drums" in 5/4; "Maori Blues" in 6/4; "Unsquare Dance" in 7/4; "Bru's Boogie Woogie" in 8/8; and concluding with "Blue Shadows in the Street" in 9/8.