Bluebeard's Ten Honeymoons is a 1960 British thriller directed by W. Lee Wilder and starring George Sanders, Corinne Calvet and Jean Kent.
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A series of projects which investigated the telling and retellings of the Bluebeard myth, this included a film made jointly with unthank, a Museum in Stroud Green, A radio play and A live piece at Traquair House.
She first starred in F. C. Burnand and Meyer Lutz's operatic burlesque of Bluebeard, which had opened in London earlier that year.
This a reference to the fairy tale of Bluebeard where Bluebeard's wife asks the same thing of her sister, while waiting for her brothers to rescue her.
He is perhaps best remembered as the librettist of Bluebeard's Castle which he originally wrote for his roommate Zoltán Kodály, who in turn introduced him to the eventual composer of the opera, Béla Bartók.
The film is based on the French play La huitième femme de Barbe-Bleue, by Alfred Savoir based on the Bluebeard tales of the 15th century.
Several of Herman's songs have words written by or with noted children's poetry author, Kenn Nesbitt (who has also provided voice characters for some recordings, including the voice of Bluebeard on "Blackbeard, Bluebeard and Redbeard"), and Herman credits his wife, Roseann, with co-writing many of his songs and co-producing his albums.
The songs "Bluebeard" and "Know Who You Are at Every Age" were covered by Cantopop artist Faye Wong for her 1994 album Wu Si Lyun Seung or Random Thoughts.
Herzog Blaubarts Burg ("Duke Bluebeard's Castle") (1963) is a film of the opera Bluebeard's Castle by the Hungarian composer Béla Bartók, written in 1911 to a symbolist libretto by the poet and later film theorist Béla Balázs.
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Balázs' retelling is a modified version of the story of Bluebeard, the wife-killer of legend.
After the successful completion of her studies in 1994 (with a production of Béla Bartók's opera Duke Bluebeard's Castle in her parish church and in the Kunsthaus Tacheles, she spent some time at first as an assistant director at the opera house in Graz, where in 1997 she did her own productions of Schoenberg's Erwartung, Bartok's Duke Bluebeard's Castle and a world premiere of her own piece Cats Have Seven Lives.
In the early 1970s he was - again, in small supporting roles - in major international productions such as Ludwig II by Luchino Visconti and Bluebeard of Hollywood director to see Edward Dmytryk and played in the French film The Shadow Line directed by Georges Franju.
She made other appearances with the Santa Cecilia Orchestra in Bartók's Bluebeard's Castle, in Verdi's Requiem, and Rossini’s Petite messe solennelle; and with the RAI Orchestra in Peter Grimes and Britten's War Requiem, and Schönberg's Gurre-Lieder.
Bluebeard, a ballet based on her play, was choreographed by Ninette de Valois as one of the final productions of the Abbey school of ballet.
The band changed their name to Mavi Sakal (literally, blue beard, or Bluebeard) in 1984, until then going by the name ECHO'83.
Billy Wilder uses it in a 1996 Paris Review interview, in reference to his 1938 screwball comedy film Bluebeard's Eighth Wife, adding that the concept was "a staple of romantic comedies back then".
Even though Konwitschny had already directed operas in West Germany (Bluebeard's Castle, Kassel, 1987, and Fidelio, Basel, 1989), it was only after the fall of the Berlin Wall, that his international career took off.
Secret Beyond the Door is a 1948 psychological thriller and modern updating of the Bluebeard fairytale, directed by Fritz Lang, produced by Lang's Diana Productions, and released by Universal Pictures.
Extremely exhausted Bluebeard endured it due to his love for her, but finally poisoned her with an Amanita (toxic mushroom).