A transposition of the Rape of the Sabine Women to the Cuban fields, it is said that Enríquez had a horse brought to his workshop, tied Sara Cheméndez (his female model at the time) to the horse and had the animal lashed, in order to have a more realistic scene for the painting.
Stylistically, his paintings are rooted in the tradition of vanguardia, and are especially indebted to the work of Carlos Enríquez Gómez.
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