In contrast to Old San Juan, for example, whose residential architecture materialized through the repetitious application of an anonymous facade representing the official establishment's homogenous parameters, Ponce's urban center developed around individual buildings where each family strived to impress through the built landscape their individuality.
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All floors are of wooden planks made out of tabloncillo (sideroxylon portoricense), with the exception of the gallery's floor, which consist of hydraulic cement tiles, result of an early twentieth century intervention.
Casa Rosada | Casa Loma | Carlos Vives | Casa de Campo | Casa de Nariño | Casa Colorada | Basilica della Santa Casa | Casa Ricordi | CASA C-212 Aviocar | Carlos Martínez de Irujo, 1st Marquis of Casa Irujo | Vives | Juan Luis Vives | Joan Enric Vives Sicília | Como Tú (Carlos Vives song) | Casa Sollievo della Sofferenza | Casa Presei Libere | Casa Nacional del Bicentenario | Casa Mañana | Casa Malaparte | Casa Loma Orchestra | CASA/IPTN CN-235 | Casa dos Estudantes do Império | CASA C-101 | CASA | Santa Casa da Misericórdia | La casa de los líos | Juan Antonio de Tagle y Bracho; Count of Casa Tagle de Trasierra | Hotel Casa Santo Domingo | Giovanni della Casa | Déjame Entrar (Carlos Vives song) |