Charles Heath established his own literary annual, The Keepsake, in 1827, and tried to persuade Sir Walter Scott to become its editor.
When Perkins moved to London in 1818, the technique was adapted in 1820 by Charles Warren and especially by Charles Heath (1785–1848) for Thomas Campbell's Pleasures of Hope, which contained the first published plates engraved on steel.
Charles Heath had originally planned for Scott to become the editor of the annual, offering him £800.
Mote was first mentioned in publications as working under the supervision of Charles Heath when he was sixteen or seventeen years old.
Charles Darwin | Charles Dickens | Charles, Prince of Wales | Ray Charles | Charles II of England | Charles I of England | Charles Lindbergh | Charles de Gaulle | Charles II | Charles | Charles I | Prince Charles | Charles V | Charles Scribner's Sons | Edward Heath | Charles Aznavour | Charles University in Prague | Charles Stanley | Charles Bukowski | Charles Mingus | Charles Ives | Charles Bronson | Charles Babbage | Charles III of Spain | Charles Cornwallis, 1st Marquess Cornwallis | Charles Baudelaire | Charles Sanders Peirce | Charles River | Charles Manson | Charles Laughton |
Other works were ‘The Falls of the Rhine,’ after Turner, for the Keepsake of 1833; some plates after Clarkson Stanfield and Thomas Allom for Charles Heath's Picturesque Annual, and others after Samuel Prout, Roberts, Holland, and James Duffield Harding, for Robert Jennings's Landscape Annual; and ‘The Grand Bal Masqué at the Opera, Paris,’ after Eugène Lami for Allom's France Illustrated.
Note: John William Wright and John Massey Wright (1777–1866) have been frequently confused with each other (according to the Folger Shakespeare Library), as they both worked for Charles Heath and their birth and death dates overlap.