He has also sung and played guitar and harmonica as "Blast Furnace" with the band Blast Furnace and the Heatwaves and currently performs with London blues band Crosstown Lightnin'.
On this track, according to NME editors Roy Carr and Charles Shaar Murray, "Bolan's influence is so much in the ascendant that it virtually amounts to a case of demonic possession".
Noone replaced Bowie's line "The Earth is a bitch" with "The Earth is a beast", in a performance that NME editors Roy Carr and Charles Shaar Murray opined to be "one of rock and roll's most outstanding examples of a singer failing to achieve any degree of empathy whatsoever with the mood and content of a lyric".
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The "actor" was Bowie himself, whose "pet conceit", in the words of NME critics Roy Carr and Charles Shaar Murray, was "to think of himself as an actor".
The lyrics to "It's No Game (Part 1)" are spoken in Japanese by Michi Hirota, with Bowie screaming the English translation "as if he's literally tearing out his intestines", according to NME editors Roy Carr and Charles Shaar Murray.
Along with writers including Nick Kent, Paul Morley and Charles Shaar Murray, Paul Rambali is seen as one of the most important and influential UK music journalists of the 1970s.
The database contains contributions from over 300 journalists, primarily from the US and UK, including journalists such as Dave Marsh, Nick Kent, Charles Shaar Murray, Nick Tosches, Mick Farren, Carol Cooper, Al Aronowitz and Ian MacDonald.
NME editors Roy Carr and Charles Shaar Murray considered "Watch That Man" the prime example of a collection of songs on Aladdin Sane that were "written too fast, recorded too fast and mixed too fast".