The de Noailles had an extensive correspondence with Francis Poulenc and commissioned him on two occasions.
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His subsequent garden for Charles and Marie-Laure de Noailles at Villa Noailles had an imposed space whose triangular shape the clients and Mallet-Stevens viewed as suited to Guevrekian's new design style.
Gaining a diploma at the École des Beaux-arts de Paris in 1922, he was a friend of Jean Lurçat and worked for Jacques Doucet, baron Robert Rothschild and vicomte Charles de Noailles.
This, combined with the riotous reception of another controversial Noailles-produced film, L'Âge d'Or, led to Charles de Noailles' expulsion from the famous Jockey-Club de Paris, and he was even threatened with excommunication by the Catholic Church.