Christian | Hans Christian Andersen | Christian Dior | Christian music | Gustave Flaubert | Christian cross | Christian Brothers | Computer-generated imagery | Congregation of Christian Brothers | Christian IV of Denmark | Contemporary Christian music | Christian Slater | Star Wars Episode III: Revenge of the Sith | Christian rock | Star Wars Episode I: The Phantom Menace | Christian metal | Christian Broadcasting Network | The Christian Science Monitor | King Features Syndicate | Southern Christian Leadership Conference | Institute of the Brothers of the Christian Schools | Christian Church | Union of Christian and Centre Democrats | Star Wars Episode II: Attack of the Clones | Christian V of Denmark | Christian theology | Christian Marclay | Christian Lindberg | Johann Christian Bach | Gustave Eiffel |
Published in 1866 in a deluxe version illustrated by Gustave Doré, re-edited in 1985 by Jean de Bonnot.
Many of the ghosts are said to be depicted in Gustave Doré's 1873 painting of Braemar Castle, which previously hung in the Drawing Room.
The trade paperback edition has over 80 illustrations, many by notable artists Gustave Doré, Lord Frederick Leighton, Léon François Commerre, Lawrence Alma-Tadema, Arthur Hughes, Jean-Léon Gérôme, Ingres, Diego Velázquez, William Bouguereau, Botticelli, John William Waterhouse, and others of the 16th-18th centuries.
He worked with Gustave Doré, for which he composed ornaments like "The Holy Bible according to the Vulgate", published in 1866.
They also experienced a major revival in the 19th century, where they gamboled through paintings by French academic painters, from Gustave Doré’s illustrations for Orlando Furioso to advertisements.
The film combines live-action with various forms of animation and is highly stylized, often evoking the engravings of Gustave Doré.
A few of Ernst's sources were identified: these include illustrations from an 1883 novel by Jules Mary, Les damnées de Paris, and possibly a volume of works by Gustave Doré Ernst purchased in Milan.