Le Château des cœurs (The Castle of Hearts) was a féerie by Gustave Flaubert, published in 1880 in the review La Vie moderne under the editorship of Émile Bergerat.
His sculptures of eminent Frenchmen soon made him famous, including portraints of François Coppée, Paul Déroulède, Gustave Flaubert, Ludovic Halévy, Ernest Renan, Victorien Sardou, and Émile Zola.
In his novel Salammbô, Gustave Flaubert writes of the Greeks singing the 'old song of the Mamertines': "With my lance and sword I plough and reap; I am master of the house! The disarmed man falls at my feet and calls me Lord and Great King."
The game is based on the Salammbô novel by Gustave Flaubert and the works of Phillippe Druillet, who was heavily involved in the game's development.
One day she meets literary cab driver, Joe Holiday (Robert Desiderio), who references Shakespeare, T. S. Eliot, James Joyce, William Carlos Williams, Albert Einstein, Gustave Flaubert and Agatha Christie.
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Gustave Flaubert, Théophile Gautier and some others have written articles about her and she was one of four women (Caroline, Jeanne Duval, herself and Marie Daubrun) who inspired Charles Baudelaire's famous work Les Fleurs du Mal.
She translated the correspondence of Gustave Flaubert, and work by leading French speaking writers of her own time including Marguerite Duras, Amin Maalouf, Julia Kristeva, Michel Quint, Jean Anouilh, Michel Tournier, Jean Genet, Alain Bosquet, Réjean Ducharme and Philippe Sollers.
It has been suggested that the story was influenced by Gustave Flaubert's Salammbô and Joseph Conrad's Heart of Darkness.
Urondo also collaborated in the writing of movie scripts such as Pajarito Gómez (which includes a cameo appearance) and Noche terrible, and adapted for television Flaubert's Madame Bovary, Stendhal's Le Rouge et le Noir, and Eça de Queiroz's Os Maias.
Raboni became was appreciated as both a literary critic and a translator of classic works: he translated in Italian some works by Gustave Flaubert, and by Guillaume Apollinaire, Les Fleurs du mal by Charles Baudelaire for Einaudi publishing house, Jean Racine and Proust's In Search of Lost Time in Mondadori's "I Meridiani" collection.
Dupuytren's success at draining a cerebral abscess is referred to in Gustave Flaubert's Madame Bovary: "not Dupuytren, about to open up an abscess through a thick encephalic layer" (Part Two, Chapter 11).
His favourite Western travelogue writers play a similar role like Gérard de Nerval, Théophile Gautier and Gustave Flaubert.
Kuchuk Hanem (fl. 1850-1870) was a famed beauty and Ghawazee dancer of Esna, mentioned in two unrelated nineteenth-century accounts of travel to Egypt, the French novelist Gustave Flaubert and the American adventurer George William Curtis.
He was a schoolfellow of Gustave Flaubert, to whom he dedicated his first work, Miloenis (1851), a narrative poem in five cantos, dealing with Roman manners under the emperor Commodus.
The work revolves around leading obscenity trials: Friedrich Schlegel's Lucinde (Jena, 1799), Gustave Flaubert's Madame Bovary (Paris, 1857), Arthur Schnitzler's Round Dance (Berlin, 1920), D. H. Lawrence's Lady Chatterley (London, 1960), and Henry Miller's Tropic of Cancer (Los Angeles, 1962).
He is perhaps best remembered for inspiring the character of M. Arnoux in Gustave Flaubert's novel Sentimental Education.
It is written with the intention of belonging to the Realism movement leaning towards Naturalism, much like Flaubert's Madame Bovary.
In 1980 Druillet produced Salammbô, a comic-book trilogy based upon Flaubert's proto-heroic fantasy novel Salammbô.
The village of Yonville in Gustave Flaubert's Madame Bovary is traditionally held to have been based on Ry.
It is famous for being the first home of Charles and Emma Bovary in Gustave Flaubert's Madame Bovary.
Yvetot’s entry in the Dictionnaire des idées reçues by Gustave Flaubert, reads: "YVETOT: Voir Yvetot et mourir ! (See Yvetot and die) (cf. Naples and Seville)".
At the University of Chicago Press, Philipson became known for large-scale scholarly projects such as The Lisle Letters (a six-volume collection of 16th-century correspondence by Arthur Plantagenet, 1st Viscount Lisle), The Works of Giuseppe Verdi, a four-volume translation of the Chinese classic The Journey to the West, and Jean-Paul Sartre’s five-volume The Family Idiot: Gustave Flaubert, 1821-1857.