Later concerto arrangers, like Eduard Reuss (1885, corrected by Liszt), Richard Burmeister (1898) or Gábor Darvas (1952), have usually incorporated the second piano part into the orchestra part.
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The typical dotted note themes in pathétique pieces such as Beethoven's "Pathétique" Sonata, Liszt's Concerto pathétique, or Scriabin's "Patetico" Étude Op. 8, No. 12 also point towards a certain heroic quality.
Concerto | concerto | Piano Concerto No. 1 (Chopin) | Concerto delle donne | A Lover's Concerto | Piano Concerto No. 1 | "Emperor" Concerto | Concerto for Group and Orchestra | Warsaw Concerto | Rachmaninoff's Piano Concerto No. 1 | Prokofiev's Piano Concerto No. 3 | Piano Concerto No. 1 (Rachmaninoff) | ''Pathetique'' Symphony | O'Carolan's Concerto | Haydn's Trumpet Concerto | Concerto Grosso | Concerto grosso | concerto grosso | concerto delle donne | ''Cello Concerto'' | Beethoven's violin concerto | Bartók's Second Piano Concerto |