dance | Contemporary R&B | So You Think You Can Dance | dance music | Institute of Contemporary Arts | Museum of Contemporary Art | Dance Dance Revolution | Dance | Museum of Contemporary Art, Los Angeles | So You Think You Can Dance (U.S. TV series) | Dance music | Contemporary Christian music | electronic dance music | contemporary R&B | Dead Can Dance | Alvin Ailey American Dance Theater | Museum of Contemporary Art, Chicago | Save the Last Dance | Contemporary classical music | contemporary | George Dance the Younger | contemporary classical music | Institute of Contemporary Art, Boston | Dance Theatre of Harlem | dance-pop | A Dance to the Music of Time | Rambert Dance Company | Last Dance | Ghost Dance | Dayton Contemporary Dance Company |
The show features a variety of Indian cultural and international dance styles ranging across a broad spectrum of classical, contemporary, Bollywood, hip-hop, jazz, Kalaripayattu, Salsa, Samba and musical theatre styles, amongst others, with many sub-genres within these categories represented.
Botega Dance Company's dancers technical background includes contemporary, ballet, break dance and hip-hop.
Under the artistic direction of Christoph Hagel, in 2010 they presented the dance performance Red Bull Flying Bach, with breakdance and contemporary dance to the music The Well-Tempered Clavier by Johann Sebastian Bach.
Jessica then decided to pursue her strength which was contemporary dance which led her to the theatre and musical theatre which led to an opportunity to perform and the Royal Albert Hall for the Mardi Gras.
ODC/Dance (formerly, the Oberlin Dance Company) is a contemporary dance company founded in 1971 by current artistic director Brenda Way.
After studying film at the IAD, he continued to studying music composition and contemporary dance after meeting Fernand Schirren, for whose works he has written original incidental music.
Brenda Way is the Artistic Director/Founder of ODC/Dance (Oberlin Dance Company)ODC has since become the premier contemporary dance company of the West Coast, performing for more than 50,000 people a year.
Dwight Rhoden has created over 90 ballets for Complexions, as well as numerous other companies, including Alvin Ailey American Dance Theater, the Arizona Ballet, the Aspen Santa Fe Ballet Company, the Dance Theater of Harlem, Pittsburgh Ballet Theater, Dayton Contemporary Dance Company, the Joffrey Ballet and New York City Ballet.
It was composed to accompany a piece of contemporary dance choreographed by his partner and collaborator Merce Cunningham and choreographer Jean Erdman, who performed the piece at its premiere in Bennington College, Vermont on August 1, 1942.
In 1993, the opera was adapted as a contemporary dance piece called Four Towers by choreographer Christopher House for the Toronto Dance Theatre.
Guesch Patti first started her career at dancing at age nine when she performed in a ballet at the Opéra National de Paris, working with Roland Petit, then at contemporary dance with Carolyn Carlson and Pina Bausch, and finally at variety dance on television.
The album was written as the soundtrack for the ballet I Am Curious, Orange, produced by contemporary dance group Michael Clark & Company, and themed loosely around the 300th anniversary of William of Orange's accession to the English throne.
Falling Down Stairs, directed by Barbara Willis Sweete, shows the cooperation between Ma and American contemporary dance choreographer Mark Morris and his Dance Group.
While in Dayton, Ohio, Julius was a freelance journalist for the Dayton Weekly News as well as the Dayton Daily News as well as performing and traveling with the Dayton Contemporary Dance Company.
After that period, several of his works are performed in renowned international contemporary music festivals (Royan, Reims, Bordeaux and Paris); at the same time, he works on a regular basis with the contemporary dance group of Vitry and the choreographer Michel Cazerta.
In 2003, Lateduster released the first DVD Plain Old Andrea, With A Gun, a collaborative project with Alaska-born choreographer Emily Johnson and her contemporary dance company Catalyst.
He currently divides his time between composing for the Marie Chouinard contemporary dance company (he composed the music for the choreography of Le cri du monde, which premiered in Toronto on March 21, 2000), his work with the artistic committee of ACREQ, and the creation of hybrid and unbridled musical experimentation.
The Adelaide Festival Centre Trust and Come Out '99 presented Ken Evans' and Jonathan Taylor's Visible Darkness, a collision of Film Noir, contemporary dance, puppetry and illusion.
From 1965 to 1970, she studied contemporary dance at the Volkwang School in Essen with Susanne Linke and Pina Bausch and graduated with a degree in dance education.
In 2010 he received a danceWEB scholarship for Impulstanz, Vienna's international contemporary dance festival and one of the 16 choreographic commissions of The Place Prize, sponsored by Bloomberg.
Following the company's successful tour, he established Graham-inspired classes, and by 1967 he had founded the London Contemporary Dance Group (afterward renamed the London Contemporary Dance Theatre) and the Contemporary Dance Trust, of which he was director general (1966–88) and life president (1988–89).
Elizabeth Streb, American choreographer, performer, and teacher of contemporary dance
Since then, under the auspices of its founder Robin Howard, its first artistic director Robert Cohan, and subsequent directors Richard Alston, John Ashford, Nigel Hinds and Veronica Lewis, it has led the way in the development of contemporary dance in the UK.
Through founding in 2001 with RADA the Conservatoire for Dance and Drama, London Contemporary Dance School became the first dance school to provide funding for its students which compares to that for students of other disciplines in the UK.