Given the title, it should come as no surprise to learn that one strand of the plot is a riff on the storyline of the almost eponymous opera: Così fan tutte.
In the classical era she is noted for performances of Haydn masses (some of which she has recorded with Pinnock and Richard Hickox), Haydn's Creation, the role of Zerlina in Don Giovanni and Despina in Così fan tutte.
The orchestra had its inaugural concert on May 10, 2008, at the Kennedy Middle School Auditorium in Waltham, with a program featuring works by Mozart ("Così fan tutte Overture"), Daniel-Lesur ("Nocturne for Oboe and orchestra"), D'Indy ("Fantaisie on French popular Themes"), Ravel ("Mother Goose Suite") and Brahms ("Symphony No 3 in F Major, Op. 90").
Winter's Interrupted Sacrifice, Mozart's Così fan tutte, Marschner's Der Vampyr and other important works were also brought out under his auspices.
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He has frequently showed his versatility by singing two roles from the same opera: Figaro and the Count in Mozart’s Le nozze di Figaro, Leporello and the title role in Mozart’s Don Giovanni, Guglielmo and Don Alfonso in Mozart’s Così fan tutte, and Dandini and Don Magnifico in Rossini’s La Cenerentola, among others.
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Corbelli's roles at the Royal Opera House have included Don Alfonso in Cosi Fan Tutte (8 perf., 1997), Doctor Malatesta in Don Pasquale (8 perf., 2004; 5 perf. 2006), Don Magnifico in La Cenerentola (10 perf. 2007-2008), Doctor Bartolo in Il barbiere di Siviglia (6 perf., 2009), and Michonnet in Adriana Lecouvreur (8 perf., 2010).
In March–April 2009, he played Ferrando in Così fan tutte at Vlaamse Opera in Belgium; and a Dramma Giocoso in two acts by Wolfgang Amadeus Mozart (1756–1791) based on a libretto by Lorenzo Da Ponte.
In Berlin she continued to expand her repertoire with leading roles in Mozart's The Marriage of Figaro and Così fan tutte, Verdi's Aida, Puccini's Tosca, Tchaikovsky's Eugene Onegin, Wagner's Tannhäuser and Lohengrin, and Strauss's Ariadne auf Naxos and Der Rosenkavalier.
Evans made her debut as Countess Ceprano in Rigoletto 1967 in Geneva and went on to make her debut in a leading role in 1968 as Fiordiligi in Così fan tutte at the then Sadler's Wells, later English National Opera in 1968 to critical acclaim.
While still a student, he made his professional debut as Ferrando in Mozart's Così fan tutte at the Rønne Theater in Bornholm, Denmark and after graduation sang in Verdi's Un giorno di regno at St. Moritz.
The productions consists of stage performances such as La bohème, Othello, Aida, Swan Lake, Tosca, Zoroastre and Così fan tutte.
Koll made her debut as a cinema actress in 1989, but achieved fame for her part in the erotic movie Così fan tutte (All Ladies Do It, 1992), directed by Tinto Brass.
Finding it difficult to get work with opera companies in the United States, Lindsey went to Europe where she portrayed such roles as Countess Almaviva in The Marriage of Figaro, the Female Chorus in The Rape of Lucretia, Fiordiligi in Cosi fan tutte, Mimi in La bohème, and the title heroine in Aida among other parts during the 1970s.
The album's title is a play on words, combining the name of the Mozart Italian-language opera Cosi fan tutte with the name of the Italian confection tutti-frutti (also the name of a Little Richard song).
At the end of 2006, when De Nederlandse Opera staged the three Mozart-Da Ponte operas conducted by Ingo Metzmacher, de Niese sang Susanna in Le nozze di Figaro and Despina in Così fan tutte.
He was awarded a Churchill Fellowship in 1985 to study operetta production in Europe, and he subsequently directed many stage productions, including Gilbert and Sullivan operas, Countess Maritza and The Czardas Princess by Emmerich Kálmán, and the Mozart operas The Abduction from the Seraglio and Così fan tutte.
She earned rave reviews in London for her several other portrayals of Mozart heroines, including Donna Anna in Don Giovanni, Dorabella in Cosi fan tutte and the Queen of the Night in The Magic Flute.
Hagegård studied at the Royal College of Music in Stockholm and has performed on stages around the world, including Carnegie Hall, the London Royal Opera House, La Scala, the Metropolitan Opera, the Sydney Opera House, the Deutsche Oper Berlin, the Vienna State Opera (Così fan tutte conducted by Nikolaus Harnoncourt), and the Royal Swedish Opera in Stockholm.
Notable among his roles are the Count (The Marriage of Figaro), Guglielmo and Alfonso (Cosi Fan Tutte), the title role in Don Giovanni, Germont (La Traviata), Silvio (I Pagliacci), Dr Falke (Die Fledermaus), the Forester (The Cunning Little Vixen), Smirnov (William Walton's The Bear), and Demetrius (A Midsummer Night's Dream), which he recorded for Virgin Records.
She made her formal Metropolitan Opera debut on November 28, 1973, as Nicklausse in Les contes d'Hoffmann (with Plácido Domingo in the name part), and later sang Dorabella in Così fan tutte (1975–76), Cherubino in Le nozze di Figaro (opposite Justino Díaz and Judith Blegen, 1976) and Parséïs in Esclarmonde (opposite Sutherland, 1976).
Some of the roles she has created on stage are Dorabella (Mozart: Così fan tutte), Donna Elvira (Mozart: Don Giovanni), Amneris (Verdi: Aida), and the title role in Georges Bizet's Carmen among others.
In 2003, he became William Christie's assistant during the Paris National Opera creation of J.P. Rameau's Boréades and then, Armin Jordan's with a new interpretation of Mozart Così fan tutte.
A frequent collaborator with the director Peter Sellars, he appeared in Sellars' re-imaginings of Mozart's Cosi fan tutte and Le nozze di Figaro, aforementioned operas of John Adams and, in 2009, Adams's A Flowering Tree presented at Lincoln Center's Mostly Mozart Festival.
Berganza made her operatic debut as Dorabella in Così fan tutte in 1957 at the Aix-en-Provence Festival.
Among the productions he has directed are: Macbeth, Falstaff, Intermezzo, Volpone, Don Pasquale, Don Carlos, Resurrection, Aida, Don Giovanni, Roméo et Juliette, La traviata, L'elisir d'amore, Carmen (on Boston Common) Eugene Onegin, The Aspern Papers, Cosi fan tutte, Il barbiere di Siviglia, and Peter Grimes.
In 1988, he filmed Mozart's Così fan tutte, directed by Jean-Pierre Ponnelle and conducted by Nikolaus Harnoncourt, with Teresa Stratas as Despina and Ferruccio Furlanetto as Guglielmo.