The film was nominated for the Academy Award for Best Special Effects (A. Arnold Gillespie, Douglas Shearer).
The film earned two Academy Award nominations, for Best Sound Recording, for Douglas Shearer, and for Best Visual Effects.
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So in 1954 Douglas Shearer, Director of Recording at MGM, approached Robert Gottschalk, president of Panavision, with a proposal for the development of a new widescreen photographic system.