James Reston of The New York Times for his news dispatches and interpretive articles on the Dumbarton Oaks security conference.
A handsome calligraphic copy now at Dumbarton Oaks was dedicated to Louis XIII shortly before the king's death (1643).
He spent 1964–1966 as Visiting Fellow at Dumbarton Oaks, and was then Senior Lecturer and Reader in Byzantine History, Edinburgh University (1966–1970).
Since 1996, hae has been professor of Christian Archaeology and Byzantine Art History at the Institute for Oriental Archaeology and Art History at the In 1993/94 and 2000/01 he was a Fellow for Byzantine Studies at Dumbarton Oaks.
Established in 2001 Oaksenham’s core consists of experienced musicians that played in a range of influential Armenian rock bands: Vahagn Papayan (a.k.a. Dumbarton Oaks) and Ashot Korganyan from the same progressive band very popular in 1990s in Armenia (a.k.a. Strangers, Bambir 2).
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He had a fellowship with Paul J. Sachs, a Byzantine expert, at Dumbarton Oaks, but never a superb linguist, Parkhurst felt that he was unqualified for this position and left to become a research assistant at the National Gallery of Art along with his fellow student Craig Hugh Smith.
In 1948, Thomas Whittemore and Paul A. Underwood, from the Byzantine Institute of America and the Dumbarton Oaks Center for Byzantine Studies, sponsored a programme of restoration.
He is a fellow of: Dumbarton Oaks Center for Byzantine Studies; Andrew W. Mellon Foundation in Early Christian Humanism, Catholic University of America; Alexander-von-Humboldt Stipendium at Frankfurt and Munich; Humanities Research Centre at Australian National University.
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Magdalino is a member of several editorial boards and research committees: 'The Medieval Mediterranean' at Brill monograph series; 'Oxford Studies in Byzantium' at Oxford University Press; Committee for the British Academy project on the Prosopography of the Byzantine Empire; Senior Fellows Committee at Dumbarton Oaks Center for Byzantine Studies; La Pomme d’or Publishing; Byzantinische Zeitschrift journal.
Robert Woods Bliss (1875–1962), who with his wife, Mildred Barnes Bliss (1879–1969), had given Dumbarton Oaks to Harvard University in 1940 to establish a scholarly research institute and museum in Byzantine studies, was instrumental in arranging for these meetings.
The Dumbarton Oaks Medieval Library (est. 2010) is a series of books published by Harvard University Press in collaboration with the Dumbarton Oaks Research Library and Collection, which presents original medieval Latin, Greek, and Old English texts with facing-page translations designed to make written achievements of medieval and Byzantine culture available to English-speaking scholars and general readers.
In 1948, he and Paul A. Underwood, from the Byzantine Institute of America and the Dumbarton Oaks Center for Byzantine Studies, sponsored a programme for restoration of the Chora Church in Istanbul.