Using electronically controlled pseudo-harmonic timbres, rather than strictly harmonic acoustic timbres, provides tonality with new structural resources such as Dynamic tonality.
For example, one could learn to play Rodgers and Hammerstein's Do-Re-Mi in its original 12-tone equal temperament (12-tet) and then play it with exactly the same finger-movements, on exactly the same note-controlling buttons, while smoothly changing the tuning in real time across the syntonic temperament's tuning continuum.
The Dynamic Duo | Vectors Journal of Culture and Technology in a Dynamic Vernacular | Tonality | Dynamic-link library | Dynamic Host Configuration Protocol | Jimmy & Wes: The Dynamic Duo | Dynamic Twins | Dynamic range compression | Dynamic braking | tonality | Dynamic Togolais | Dynamic stochastic general equilibrium | Saturn V Dynamic Test Stand | Institute for Dynamic Educational Advancement | Fluid dynamic gauge | Dynamic voltage scaling | Dynamic tonality | dynamic systems development method | Dynamic Structures | Dynamic range compression (audio) | Dynamic range | dynamic range | dynamic random-access memory | Dynamic programming | Dynamic positioning | Dynamic modulus | dynamic-link library | Dynamic light scattering | Dynamic Kernel Module Support | Dynamic Host Configuration Protocol (DHCP) |