X-Nico

unusual facts about Dynamic range


Acoustical measurements and instrumentation

Dynamic range is a common way to compare performance from one instrument to another.


Leveler

A leveler performs an audio process similar to compression, which is used to reduce the dynamic range of a signal, so that the quietest portion of the signal is loud enough to hear and the loudest portion is not too loud.


see also

Audio compression

Dynamic range compression, also called audio level compression, in which the dynamic range, the difference between loud and quiet, of an audio waveform is reduced

Darktable

Plugins related to hue and saturation include overexposed, to display pixels outside dynamic range; velvia, which mimics Velvia film colors by increasing saturation on lower saturated pixels more than on highly saturated pixels; channel mixer; color contrast; color correction, to modify the global saturation or to give a tint; color zones; color transfer; vibrance; and input/output/display color profile management.

EXR

OpenEXR, a High Dynamic Range image file format standardized by Industrial Light and Magic

Gersey

However, the band are best known for their spacious arrangements and their dynamic range, best typified by the Australian bands that alongside themselves and Gaslight Radio, chose to work with Australian record producer, Tim Whitten, including 78 Saab & Art Of Fighting.

Helge Seetzen

In 2004, he became co-founder and Chief Technical Officer of BrightSide Technologies, a Vancouver-based developer of High dynamic range imaging-based electronic display technologies.

High-dynamic-range imaging

Film capable of directly recording high-dynamic-range images was developed by Charles Wyckoff and EG&G "in the course of a contract with the Department of the Air Force".

Logluv TIFF

In order to provide the required high dynamic range with imperceptible luminance steps, LogLuv uses 16 bits to encode a fixed-point base2-logarithm of the luminance, which allows an EV range of nearly 128 stops.

Ted Kendall

The performances by Charles Adler were originally recorded in Vienna during the 1950s for the American SPA label, and the recordings have a wide dynamic range.