Armitage was one of four students selected to assist Delaroche with the fresco Hemicycle in the amphitheatre of the Palais des Beaux-Arts, when he reputedly modelled for the head of Masaccio.
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T. S. R. Boase, The Decorations of the New Palace of Westminster 1841-1863, in: Journal of the Warburg and Courtauld Institutes 17:1954, pp.
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In 1863 Jeens completed for the Art Union of London a plate begun by Henry Chawner Shenton from Thomas Francis Dicksee's A Labour of Love; and one of his final works was Joseph and Mary, after Edward Armitage, published by the same society in 1877.