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As director and choreographer Frédéric Flamand worked with many architects including Fabrizio Plessi, and later Elizabeth Diller and Ricardo Scofidio, Zaha Hadid, Jean Nouvel, Thom Mayne and more recently Dominique Perrault and the Campana brothers, seeking primarily to connect the body of the moving dancer to the surrounding architecture.
This motivated Muschamp to engage in boisterous conversations outside the home in later years, particularly in the company of such up-and-coming architects as Elizabeth Diller and Ricardo Scofidio, Frank Gehry, Rem Koolhaas, Jean Nouvel, Bernard Tschumi and Tod Williams, which formed the basis for his perceptive and often vehement architectural commentary and criticism.
His arrival including the cooperation of many other influential professors (including Raimund Abraham, Ricardo Scofidio, Peter Eisenman, Charles Gwathmey, Diana Agrest, Diane Lewis, Elizabeth Diller, David Shapiro, Don Wall and many others) transformed the practice and critical thought of architecture in ways that might be compared to Ludwig Mies Van Der Rohe's transformation of the Armour Institute into the Illinois Institute of Technology.