He is chiefly remembered for reprinting much rare Elizabethan literature, a work which he undertook because of his interest in Puritan theology.
The translation of Di Grassi was one of the three premiere fencing texts known from Elizabethan England.
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Grenville was born near Withiel, west of Bodmin, Cornwall, the son of Sir Bernard Grenville by his wife Elizabeth Bevil, and was a grandson of Sir Richard Grenville (1542–1591), the heroic Elizabethan naval captain, explorer, and soldier.
Lidington was educated at the independent Haberdashers' Aske's Boys' School in Elstree and at Sidney Sussex College, Cambridge; he took an honours degree in History and a doctorate for research on Elizabethan history.
Their artistic aesthetic focuses mainly on a comical mixture of Elizabethan era clothing and Reptiles.
He played an important role in the establishment of an Elizabethan research centre in Aix-en-Provence and contributed to the Golden Guides series a volume on wines.
The only four extant keyboard pieces – "Alman", "The Fall of the Leafe", "Piper's Paven" and "The Primerose" – appear in the Fitzwilliam Virginal Book (c. 1609 – c. 1619), one of the most important sources of early keyboard music containing more than 300 pieces from the late Elizabethan and early Jacobean periods.
In Deborah Harkness's novel Shadow of Night, the vampire Matthew Clairmont is revealed to, in the Elizabethan era, be (a fictionalised version of) Matthew Roydon of the School of Night.
The seven-line stanza began to go out of fashion during the Elizabethan era but it was still used by John Davys in Orchestra and by William Shakespeare in The Rape of Lucrece.
Fair Em or Fair Em, the Miller's Daughter of Manchester, Elizabethan era stage play