Mathilda Malling's Pyrrhus-segrar (Pyrrhic Victories), published in 1886 under the pseudonym Stella Kleve, was very controversial among Scandinavian intellectuals.
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In Die Antifeministen (The Antifeminists, 1902) by Hedwig Dohm cited both Key and Lou Andreas-Salomé as anti-feminists.
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Her lifetime production was sparse and mostly consisting of portraits, such as the one of painter Karl Nordström (1890; in the Bonnier portrait collection, Nedre Manilla, Stockholm), writer Verner von Heidenstam as Hans Alienus (one of his literary characters, 1896), writer Selma Lagerlöf (1932, Nationalmuseum) and the group portrait Vänner ("Friends", 1907, Nationalmuseum) showing writer Ellen Key reading to a group in the home of the Pauli family.