During the winter of 1896–1897, she commissioned the Swiss-born American artist Adolfo Müller-Ury (1862–1947) to paint a portrait of the bass-baritone Pol Plançon for her, which was subsequently exhibited in March 1897 at the Durand-Ruel Galleries in New York.
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She studied piano with Louis Moreau Gottschalk (1829–1869) and singing with Giorgio Ronconi (1810–1890), and soon became known for her musical talent being credited as being one of the first American women to compose an operetta: in 1889 she composed the successful Doretta.
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During the winter of 1896–1897, the Swiss-born American artist Adolfo Müller-Ury painted a portrait of him for the wealthy operetta composer Emma Marcy Raymond, which was subsequently exhibited in March 1897 at the Durand-Ruel Galleries in New York.