The company produces popular music, film and television charts which have been syndicated by Nielsen, Billboard, Rolling Stone, and Entertainment Weekly, among others.
The website nonetheless considered Burn:Cycle "well-balanced" and its environments "carefully planned", giving the game an A- along with Entertainment Weekly.
CNN briefly ran other types of NewsStand programs, including CNN & Fortune and CNN & Entertainment Weekly.
Allyssa Lee, of Entertainment Weekly, said that the book has 12 riveting, touching autobiographical accounts that look past the bars to lay bare lives that would normally have gone unheard and that the book deserves an audience.
:"With irony, understatement, and artful compression ... Phillips distills the African diaspora to an essence, bitter, and unforgettable." —Entertainment Weekly
Entertainment Weekly also gave the song a positive review, noting that the song has a catchy tune, a little "boy band hook," and a five-part harmony.
According to director Roger Michell in an article in Entertainment Weekly, the painting was chosen because screenwriter Richard Curtis was a fan of Chagall's work, and because La Mariée "depicts a yearning for something that's lost."
In 1998 Entertainment Weekly praised the series as one of the "100 Greatest TV Shows of All Time".
Entertainment Weekly reviewed the book saying "Quadriplegic forensics whiz Lincoln Rhyme and his Glock-toting girlfriend, Amelia Sachs, track a serial killer who uses an all-knowing computer database to frame fall guys. Movie Pitch: Ironside meets CSI and Enemy of the State. Bottom Line: Rhyme still intrigues in his eighth outing, while Deaver's scarily believable depiction of identity theft in a total-surveillance society stokes our paranoia. A -."
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Previously, he was a senior contributing writer at Spin Magazine, and has also written for such publications as The Washington Post, Blender, Entertainment Weekly, The Village Voice, MTV Magazine, Complex, and Magnet.
Dream Brother: The Lives and Music of Jeff and Tim Buckley is a biography by the American author, journalist, and former music critic for Entertainment Weekly, David Browne.
In pop music, he became chief pop critic of the Los Angeles Herald-Examiner in 1988, and in 1990 joined the staff of Entertainment Weekly, which had just begun publication, and where he served first as music critic and then as senior music editor.
Entertainment Weekly gave the film "B" rating and Owen Gleiberman wrote, "Gridlock'd doesn't have the imaginative vision of a movie like Trainspotting, yet it's more literally true to the haphazard torpor of the junkie life than anything we've seen on screen since Drugstore Cowboy... Curtis Hall has caught the bottom-feeder enervation of heroin addiction".
It was mentioned as a possible choice for the second single in a June 2007 article in Entertainment Weekly, which wrote that it "sounded tailor-made for a rom-com trailer coming soon to a theater near you." Irv Gotti, the head of Carlton's label, The Inc. Records, was quoted as saying that the song reminded him of the 1985 film The Breakfast Club.
On December 4, 2012 Entertainment Weekly revealed that the entire Hush, Hush series had been optioned by LD Entertainment.
In an interview with Entertainment Weekly, Lauper says that the song title was inspired by Henry Miller's book Into the Night Life that inspired Lawrence Ferlinghetti's A Coney Island of the Mind, which inspired her to describe the images of nightlife in New York City.
In the film Entertainment Weekly critic Lisa Schwarzbaum recalls the excitement of having a woman as the lead reviewer at The New York Times.
They have been reviewed in the New York Times Book Review, USA Today, Entertainment Weekly, Science News, National Geographic, Physics Today, New Scientist, and US News and World Report, as well as by National Public Radio, the BBC, Fox News, the History Channel, and other television and radio programs.
Published by Beacon Press in early 2007, the book has received widespread publicity and has been reviewed in Booklist, The Boston Globe, People, Entertainment Weekly, O: The Oprah Magazine, and Elle.
Over the course of the years, it was also published in other printed media, such as the Spy magazine, Flagpole Magazine, the Village Voice, UTNE Reader, The Baffler, Rolling Stone, and Entertainment Weekly.
Tanner Stransky of Entertainment Weekly praised the Julie storyline and expressed sympathy for the Katherine character.
A collection of Libby’s columns was published in 1994 under the title If You Ask Me, and Janet Maslin, in The New York Times, wrote that, “Mr. Rudnick weaves many a trenchant thought into Libby’s comic screeds.” Premiere folded in 2007, but Libby resumed writing a monthly column for Entertainment Weekly in 2011.
In the March 24, 2006 issue of Entertainment Weekly, in an article titled "Back To Annandale", it was postulated that Ducornet was the apparent inspiration for the 1974 Steely Dan hit "Rikki Don't Lose That Number", because of a friendship songwriter Donald Fagen had with Ducornet while he attended Bard.
Entertainment Weekly reviewer David Browne praised the band for living up to industry expectations of being the "next Nirvana" and compared Siamese Dream favorably to Nirvana's Nevermind.
Stephen King rated The Animal Years the best album of 2006 in an article for Entertainment Weekly.
The characters on the show make reference to a fictional video game title, Rock Band: Billy Joel, to which Darren Franich of Entertainment Weekly said "let’s hope never actually exists ever".
They played hundreds of dates, opened for acts as diverse as Graham Parker, Cheap Trick, Gang of Four and Morphine, and released three more records on Q,: 1997's full-length No One Here Gets In For Free -- Rare and Unreleased 1989 - 1997;the 1998 hit single "Favorite," produced by Denneen; and 1999's full-length Silver Gorilla, also with Denneen, which amassed critical raves across the country, from Raygun to Entertainment Weekly.
"...The actors demonstrate such unmatchable Englishness that the movie – a kind of The End of the Affair without the religious instruction – takes on the gleam of a cultural artifact..." — Entertainment Weekly
David Browne of Entertainment Weekly described the documentary as "well-researched, but still farfetched".
In 2012, he appeared in the original cast of the off-Broadway Westside Theatre show, "Old Jews Telling Jokes", in which Jessica Shaw of Entertainment Weekly called his portrayal "the funniest moment...delivered with a Yiddish accent as thick as schmaltz".
Giving it a "B+", Alanna Nash of Entertainment Weekly praised Sears' "emotive" voice, comparing her favorably to Reba McEntire and Shelby Lynne.
His work has also appeared in Spin, The New York Times, The Village Voice, The Believer, GQ, Salon, Entertainment Weekly, Details, City Pages (Minneapolis, MN), The Windy City Times, and Option.
Tucker’s negative reviews of Seth MacFarlane’s animated series Family Guy resulted in a number of MacFarlane counter-criticisms, including a scene in which the baby Stewie Griffin breaks the neck of an Entertainment Weekly writer widely assumed to be Tucker.
Before joining ESPN, Wulf worked for numerous publications, including The Evening Sun in Norwich, NY, Sports Illustrated, Entertainment Weekly, The Economist, and Time.
Gilbert Cruz, from Entertainment Weekly, related the CBS hit, CSI, to the novel in his review by saying that the procedures used to dissect a crime scene are the same, even though it is denied in the book.
He also starred in the short-lived but critically acclaimed sitcom about the Pilgrims in Plymouth Colony, Thanks which Entertainment Weekly called "the funniest new sitcom of the 1999–2000 season." He made an appearance in the Press Gang episode "Chance is a Fine Thing" as Clark Kent, Judy's jealous boyfriend.
Chris William of Entertainment Weekly described "Who Said"'s style as a simultaneous mimic of the styles of Avril Lavigne, Ashlee Simpson, and Britney Spears, which he felt contracted its lyrical theme.