After choreographic residence at Bennington College, Vermont, where he made some works, Loring joined Ballet Theatre (now ABT) in 1939, where, in that company's first season, he choreographed and danced in his The Great American Goof, with libretto by William Saroyan.
Eugene O'Neill | Eugene, Oregon | Eugène Delacroix | Eugene Onegin | Eugène Ionesco | Eugene | Eugene Onegin (opera) | Eugene McCarthy | Pope Eugene IV | Eugène Ysaÿe | Eugene Wigner | Eugene Field | Eugene Aynsley Goossens | Gene Eugene | Harold Eugene Edgerton | Eugene Levy | Eugène de Beauharnais | W. Eugene Smith | Pope Eugene III | Eugene Ormandy | Eugene Jolas | Eugene Fama | Eugene Cernan | Eugène Atget | David Eugene Edwards | H. Eugene Stanley | Eugene V. Debs | Eugene Nickerson | Eugene Chadbourne | Eugene Braunwald |
In early 1941, Blair secured her first role in a stage play when Kelly's friend William Saroyan chose her to play the female lead role of St. Agnes of the Mice in his play The Beautiful People at the Lyceum Theatre, playing opposite Eugene Loring, and securing excellent reviews from leading critics George Jean Nathan and Richard Watts, Jr..
The Ballet has more than 60 world premieres to its credit with a repertoire of about 150 pieces choreographed by the likes of Sir Frederick Ashton, Erik Bruhn, George Balanchine, Antony Tudor, John Cranko, Jack Carter, Kurt Jooss, Choo San Goh, Jose Limon, Paul Taylor, David Parsons, Eugene Loring, Saeko Ichinohe and Domy Reiter-Soffer, along with Fokine and Bournonville ballets.