European art cinema gained popularity in the 1960s, with notable filmmakers such as Jean-Luc Godard, Federico Fellini, Michelangelo Antonioni, and Ingmar Bergman.
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Thomas Elsaesser, author of European Cinema: Face to Face with Hollywood, wrote that No Mercy, No Future was a "relative" failure in the commercial and critical aspects compared to Germany, Pale Mother and that the situation "may have led Sanders-Brahms in the direction of the European art cinema".