In Rome, Duquesnoy's student Orfeo Boselli wrote Osservazioni della scoltura antica in the 1650s; his observations reflected connoisseurship of the subtle contours of superior Greek sculpture, considered superior to Roman work, which had been developed in Duquesnoy's circle and would inform the sensibility of Winckelmann and Neoclassicism.
François Mitterrand | François Truffaut | Claude François | François Villon | François Rabelais | François Hollande | Jean-François Lyotard | Jean-François Millet | François-René de Chateaubriand | François Boucher | François Fénelon | François Tombalbaye | François de La Rochefoucauld (writer) | Charles François Dumouriez | François Mauriac | Jean-François de Galaup, comte de Lapérouse | Jean-François Champollion | François Viète | François Ozon | François Bozizé | Louis-François Richer Laflèche | Joseph François Dupleix | Jean-François Marmontel | François-René de La Tour du Pin, Chambly de La Charce | François Denhaut | François-André Danican Philidor | Michel François | Marie François Sadi Carnot | Louis-François Roubiliac | Hubert-François Gravelot |
Camillo Massimo (20 July 1620 – 12 September 1677) was an Italian cardinal in 17th century Rome, best remembered as a major patron of Baroque artists such as Pouissin, Lorrain, Velázquez, Duquesnoy, Algardi, Francesco Fontana and Cosimo Fancelli.