"Gekreuzigt" was re-made in 2006 as a double a-side with The Power of Love, a Frankie Goes to Hollywood cover.
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Towards the end of his course at Beaconsfield he was asked to film a music video for Frankie Goes To Hollywood called "Relax", which was quickly followed by work for UB40, U2 and many others.
The production was handled by Horn who worked with Seal, Tina Turner, Cher, Robbie Williams, Frankie Goes to Hollywood and many others successful singers and bands.
It contains thirty-four articles and essays on pop music on personalities including Little Richard, Brian Epstein, Dusty Springfield, Jayne County, Sylvester, Village People, Tom Robinson, Culture Club, Frankie Goes to Hollywood, Bronski Beat, Divine, The Communards, Erasure, Pet Shop Boys, Marc Almond, Kenny Everett, Morrissey, and Boy George.
As well as the title song, which was changed from “Frankie Goes To Hollywood” to Mika’s song “Relax, Take It Easy”.
Musician Paul Rutherford, a member of Frankie Goes to Hollywood (whose "Relax" and "Two Tribes" hits topped the UK charts in 1984), also grew up on the estate after moving there from an inner-city slum area during the 1960s.
Celebrity contributors include Peaches Geldof, electric violinist Linzi Stoppard, playwright Tom Stoppard, doctor and health commentator Miriam Stoppard, Frankie Goes to Hollywood frontman and artist Holly Johnson, cult comedy icon Karl Pilkington, businessman and socialite Sebastien Sainsbury and Supremes band member Susaye Greene.
This was also one of Islands Records' most successful periods ever with releases from artists such as U2, Frankie Goes to Hollywood (Welcome to the Pleasuredome) and Bob Marley’s album, Legend, which topped the UK album chart for 12 weeks remaining on the UK chart for a total of 265 weeks.
The name is a matter of contention; Johnson wanted to call the band Hollycost, Reynolds disagreed, Johnson responded "we could call it anything"; his eyes then drifted to a poster on the wall of Frank Sinatra (from a book called Rock Dreams) as he read out the caption, saying disparagingly, "we could even call it Frankie goes to Hollywood, it doesn't matter", at which point Reynolds said, "yes, that's what we SHOULD call it, it's original and different".
Having topped the charts around the world with Welcome to the Pleasuredome and its accompanying singles, Frankie Goes to Hollywood took off to Amsterdam to record the follow-up album, Liverpool.