The pocketbook-size shaped magazine has no illustrations on the cover (only the colour changes per issue) and well balanced and coherent typography in the interior with use of the typefaces Bodoni and Garamond.
The Vincent Melzac Collection, Forward by Walter Hopps, Introduction by Ellen Gross Landau, Retrospective Notes on the Washington Color School by Barbara Rose, Copyright 1971 The Corcoran Gallery of Art, Washington, D.C.: printed by Garamond/Pridemark Press, Baltimore, MD LCCC#75-153646
Ibarra's printing used various foundries of his time, highlighting games Gerónimo Gil, the Smelter Rangel (used by the Gazette, and they really are a game of Garamond), types of Lleida Eudald Pradell with casting Madrid, a game of Garamond, and the celebrated and reviled italic cast which composed the Sallust, abierta open by the academic and writer Murcia Espinosa de los Monteros, who owned a foundry in Madrid.