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Velázquez painted at least three portraits of his friend and original patron, producing the baroque equestrian portrait along with the standing portraits now at the Hermitage and São Paulo.
At one time a captain of the coastguard, at another the protégé of Benavente, viceroy of Naples, who appointed him governor of Scigliano, patronized by Pedro Téllez-Girón, 3rd Duke of Osuna and Gaspar de Guzmán, Count-Duke of Olivares, Castro was nominated a knight of the order of Santiago in 1623.
Gaspar de Guzmán, 3rd Count of Olivares (1587–1645), who became 1st Count-Duke of Olivares in 1625
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The most prominent member of the House of Olivares was Gaspar de Guzmán, Count-Duke of Olivares, the favourite of Philip IV of Spain.
During the time of the literary production of the Catalan baroque (approx. 1600-1740), it is important to note the growing opposition to the Habsburg monarchy and its absolutist policies, especially under the Conde-Duque de Olivares’ regime.
He was succeeded as Count of Olivares by his son, Enrique de Guzmán, 2nd Count of Olivares, the father of Gaspar de Guzmán, Count-Duke of Olivares.
In fact, the Validos of the Habsburg Kings were always their “Sumilleres de Corps” as it happened with the Duke of Lerma and the Duke of Uceda with King Philip III or the Count-Duke of Olivares with King Philip IV.
The Treaty of Monçon or Treaty of Monzón was signed on 5 March 1626 by Cardinal Richelieu, the chief minister of Louis XIII and Gaspar de Guzmán, Count-Duke of Olivares, the chief minister of Philip IV of Spain, at Monçon (modern Monzón) in Aragon.