To this early period belong the St John of the Richard von Kaufmann collection in Berlin and the Salting's St Jerome.
Sometimes, as with a Gerard David in London, the garden is very fully depicted; at other times, as in engravings by Martin Schongauer, only a wattle fence and a few sprigs of grass serve to identify the theme.
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In his critical exhibition catalogue of Early Flemish Masters in Bruges in 1902, the Ghent great connoisseur of early Flemish Art and art historian Georges Hulin de Loo, came to the conclusion that Isenbrandt was actually the anonymous Master of the Seven Sorrows of the Virgin and the author of a large body of paintings previously attributed to Gerard David and Jan Mostaert by the German art historian Gustav Friedrich Waagen.