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He mostly plays old records of German opera such as Alban Berg's Wozzeck, an important element of the novel, but he also broadcasts pieces of news which mainstream media do not want to broadcast.
His notebooks from this period show that, among others, Schumann considered the stories of the Nibelungen, Lohengrin and Till Eulenspiegel to be good candidates for settings in German opera.
He is the author of Carl Maria von Weber (Hamish Hamilton, 1968, 2nd ed. Cambridge UP, 1976), the standard study of Weber in English; German Opera: From the Beginnings to Wagner (2001) and the co-author of The Concise Oxford Dictionary of Opera (1964, with Harold Rosenthal) and The Oxford Dictionary of Opera (1992, with Ewan West).
Furthermore, it served as the source material for two operas: Eugen d'Albert's German opera Tiefland (1903) and Fernand Le Borne's La Catalane (French).
Born in Port-au-Prince, Woolley began his studies in his native city with Carmen Brouard (piano and harmony), Élisabeth de Pesquidoux-Mahy (singing), Werner Jaegerhuber (German opera/lieder), Raoul Nargys (acting), and Henriette Perret-Duplessis (singing).
He wrote what is traditionally considered to be the first German opera, Dafne (Opitz-Schütz), performed at Torgau in 1627, the music of which has since been lost.
Hermann Becht (19 March 1939, Karlsruhe – 12 February 2009, Marxzell) was a German operatic bass-baritone.
Singers who have started in Rheinsberg can be heard at the New York Metropolitan Opera, La Scala, Salzburg Festival, other various international opera houses such as Royal Swedish Opera in Stockholm, Tokyo Opera House, Vienna State Opera, Sydney Opera House, Zürich Opera House and most German opera houses.
Leo Blech (21 April 1871 – 25 August 1958) was a German opera composer and conductor who is perhaps most famous for his work at the Königliches Schauspielhaus (later the Berlin State Opera (Staatsoper Unter den Linden) from 1906 to 1937, and later as the conductor of Berlin's Städtische Oper from 1949 to 1953.