Recently, Malpiero's piano repertoire, including his complete concertos, has experienced a revival at the hands of noted Italian pianist Sandro Ivo Bartoli.
Gian Carlo Menotti | Francesco Rosi | Francesco Clemente | Francesco Bartolozzi | Francesco Guardi | Francesco Guccini | Gian Lorenzo Bernini | Francesco Marino Mannoia | Francesco Severi | Francesco Cossiga | Francesco Moser | Francesco Mondada | Malipiero | Gian Francesco Malipiero | Giovanni Francesco Fara | Gian Giorgio Trissino | Francesco Redi | Francesco Quinn | Francesco Graziani | Francesco De Gregori | Francesco Crispi | Francesco Conconi | Francesco Barberini | Gian Galeazzo Visconti | Gian Francesco Poggio Bracciolini | Gian-Carlo Rota | Francesco Sartori | Francesco Ruggieri | Francesco Paolo Bontade | Francesco I da Carrara |
By 1975 the group had built up a repertoire of 120 works, including the complete Beethoven, Schubert, Cherubini and Bartók quartets, and works by Haydn, Mozart, Brahms, Hugo Wolf, Pfitzner, Verdi, Donizetti, Debussy, Smetana, Kodály, Janáček, Hindemith, Alban Berg, Gian Francesco Malipiero, Witold Lutosławski, Milko Kelemen, Wittinger and Horvath.
These were followed by the Hungarian premieres, mostly shortly after their world premieres, of Stravinsky's Oedipus rex, Puccini's Turandot, Milhaud's "three-minute" operas, Hindemith's Hin und zurück, Malipiero's Il finto Arlecchino (from his trilogy Il mistero di Venezia), and others.
His rediscovery of the concertos of Respighi (Bedford, 1991), Malipiero (London, 1994) and Casella (1995), was followed by the first modern performance in the United States of Ottorino Respighi’s Toccata for piano and orchestra, with the Johnson City Symphony under Lewis Dalvit; the concert was broadcast live by PBS and subsequently included in the station’s Great Performances series.