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10 unusual facts about Francesco Bartolozzi


Henry Hoppner Meyer

On 25th August 1794 he was apprenticed to Benjamin Smith for seven years and ultimately trained in engraving techniques at the Royal Academy Schools under Francesco Bartolozzi.

James Mitan

In 1790 he was articled to a writing engraver named Vincent; but obtained instruction from J. S. Agar, studied in the schools of the Royal Academy, and made copies of Francesco Bartolozzi's tickets.

Jane Meutas

Holbein's portrait sketch of Jane Meutas was engraved by Francesco Bartolozzi in 1795 and published by John Chamberlaine of London in Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty, for the Portraits of Illustrious Persons of the Court of Henry VIII.

John Hodges Benwell

They included two scenes from "Auld Robin Gray"; the "Children in the Wood", engraved by William Sharp; and A St. Giles's Beauty and A St. James's Beauty, both engraved by Bartolozzi.

John Keyse Sherwin

Sherwin was sent to study in London, first under John Astley, and then for three years under Francesco Bartolozzi – for whom he is believed to have executed a large portion of the plate of Clytie, after Annibale Carracci, published as the work of his master.

Lemuel Francis Abbott

Abbott painted portraits of many figures of the day including leading seamen such as Admiral Nelson, Admiral Sir Robert Calder, Rear-Admiral Sir Thomas Pasley and Captain William Locker, astronomer Sir William Herschel, poet William Cowper, artists Francesco Bartolozzi and Joseph Nollekens, entrepreneur Matthew Boulton and industrialist John Wilkinson amongst others.

Samuel Shelley

His water-colours and miniatures were engraved by Bartolozzi, William Nutter, Caroline Watson, and others.

Silvester Harding

The Hardings published many prints of subjects designed by Silvester and engraved by Francesco Bartolozzi, Jean Marie Delattre, William Nelson Gardiner, and others.

Therese Jansen Bartolozzi

Therese Jansen was married on 16 May 1795 to Gaetano Bartolozzi (1757-1821), a son of the noted artist and engraver Francesco Bartolozzi.

William Nelson Gardiner

His style was similar to that of Francesco Bartolozzi, and Gardiner claimed some of the plates bearing Bartolozzi's name as his own work; he subsequently worked for Bartolozzi.


Pietro Bettelini

He received instructions from Gandolfi and Bartolozzi; but in his subsequent works he inclined more to the style of Raphael Morghen.