Ferrer Bassa, considered to be the finest painter in the Crown of Aragón in the 14th century, developed a personality of his own, clearly marked by the Tuscan styles of the Trecento, particularly those of Florence and Siena with which he was so familiar.
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The spectacular nature of the project, the splendour of the manuscript and the lavish use of gold suggest it may have been a psalter for a king: Henry II himself, Louis VII of France or even Philip Augustus in the early years of his reign.
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In 1170, Thomas Becket, archbishop of Canterbury, has returned from his exile in France with a series of splendid manuscripts illuminated on the continent which were to influence the style of the Christ Church scriptorium, one of the most important centres making illuminated codices in England.
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