Notable examples of such clocks include the Nittele Ōdokei, designed by Hayao Miyazaki to be affixed on the Nippon Television headquarters in Tokyo, touted to be the largest animated clock in the world.
She is best known for singing the opening and ending theme songs for the Hayao Miyazaki film My Neighbor Totoro: "Sanpo" and "My Neighbor Totoro".
Cinema AZN mixed popular entertainment, informed reporting, and featured some of Asia's biggest stars such as Tony Leung (2046), Stephen Chow (Kung Fu Hustle), Amitabh Bachchan, Zhang Ziyi (Hero, Memoirs of a Geisha) and Joan Chen (Saving Face); and major filmmakers such as Wong Kar-wai, Hayao Miyazaki, Jackie Chan (Rush Hour, Rush Hour 2 and Rush Hour 3), Zhang Yimou and Im Kwon-Taek.
A Curtiss R3C appears in Hayao Miyazaki's Porco Rosso animated movie featuring a romanticized interwar aviation.
It appeared along with other Devonian fish in the 2008 Hayao Miyazaki film Ponyo.
Helen McCarthy (born February 27, 1951) is the British author of such anime reference books as 500 Manga Heroes and Villains, Anime!, The Anime Movie Guide and Hayao Miyazaki: Master of Japanese Animation.
His fiction has been described as "new weird SF," and compared to both the anime of Hayao Miyazaki and the early writings of Brian Aldiss.
Semper created the English-language dialogue for two of Hayao Miyazaki's acclaimed animated features, Laputa: Castle in the Sky (1986) and Kiki's Delivery Service (1989), and co-wrote the screenplay for the live-action comedy, Class Act (1992).
He also directed the English language translation of Hayao Miyazaki's Spirited Away.
The OpenSky M-02 is a Japanese jet-powered glider inspired by the Möwe aircraft flown by the protagonist in the Hayao Miyazaki anime Nausicaä of the Valley of the Wind.
The project was directed by French animator Bernard Deyriès, well-known at the time for DIC's science-fiction series Ulysses 31 and Mysterious Cities of Gold (both also animated by Japanese studios), and Japanese partner Kimio Yabuki, a legendary animator at Toei Animation and former cohort of Hayao Miyazaki.
So, Mbak Tutut, alongside Isao Takahata, the co-founder of Studio Ghibli along with long-time collaborative partner Hayao Miyazaki, a number of the directors of TPI went MNC TV office located in Taman Mini to start working.
Bancroft also served as English voice director on Hayao Miyazaki's Porco Rosso in 2003.
Hayao Miyazaki noted that Visby is the main visual inspiration for the town in Kiki's Delivery Service, with elements of other locations such as Stockholm also blended in.
Park had been a big fan of Japanese animation director Hayao Miyazaki's work since he watched Future Boy Conan as a child.
Hayao Miyazaki | Miyazaki Prefecture | Miyazaki | Shinji Miyazaki | Kijō, Miyazaki | Hyūga, Miyazaki | Miyazaki-jingū | Manabu Miyazaki | Kawaminami, Miyazaki | Hayao Tada | Hayao Nakayama | Aoi Miyazaki |
In May 2006, Sproxton (along with Peter Lord) visited the "Aardman Exhibit" at the Ghibli Museum in Mitaka, Tokyo, Japan, where he met Hayao Miyazaki.
In 2003, Kuroda's work Nasu was brought to the attention of animator and director Kitarō Kōsaka by Kōsaka's long-time collaborator from Studio Ghibli, Hayao Miyazaki, a fan of cycling.
The manga was adapted into a 2011 Studio Ghibli film directed by Gorō Miyazaki, with a script co-written by the director's father, Hayao, and Keiko Niwa, co-author of the scripts for The Secret World of Arrietty (2010) and Tales from Earthsea (2006).
Sango-shō Densetsu: Aoi Umi no Elfie - TV special, 1986; seemingly inspired heavily by Hayao Miyazaki's Nausicaa
In that same year, Lord (along with Sproxton) visited the "Aardman Exhibit" at the Ghibli Museum in Mitaka, Tokyo, Japan, where he met Hayao Miyazaki.
In Hayao Miyazaki's animated film Princess Mononoke, talking, ape-like creatures struggling to protect the forest from human destruction by planting trees are identified as shōjō.
The game also contains parodies or homages to works by Hayao Miyazaki and Buster Keaton.
Her comic art influences include Osamu Tezuka, Hayao Miyazaki, and the Showa 24 generation of women manga artists led by Moto Hagio who created girls' comics in the 1970s (Yaoi-Con 2001, 3; Higuri Q & A, 2004).