It was first released on his 1973 album A White Sport Coat and a Pink Crustacean and was his fourth and final single from that album.
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"He Went to Paris" is a song written and performed by American popular music singer-songwriter Jimmy Buffett.
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In 1880 he went to Paris where he was influenced by the French artist Jules Bastien-Lepage.
American folk singer Jimmy Buffett released an album in 1973 that was a play on the title of this song: "A White Sport Coat and a Pink Crustacean" which included hits such as 'He Went To Paris', 'Grapefruit-Juicy Fruit', and 'Why Don't We Get Drunk'.
In 1919 he went to Paris participating in the "Salon de la Société Nationale" among other galleries, having also attended the course of engraving with William Schlumberger.
In 1851 he went to Paris, and studied under Couture and Palizzi; thence to Italy, and home to Berlin in 1853, completing his studies under Carl Steffeck.
Having finished his studies at Leiden, he went to Paris, where, under the instruction of Sebastien Vaillant (1669–1722), Jacob Winslow (1669–1760) and others, he devoted himself especially to anatomy and botany.
At age 19 he went to Paris to study under Marguerite Long, and the following year he won 3rd Prize in the Long-Thibaud Competition.
He went to Paris, where he studied at the École des Beaux-Arts and Académie Julian under William-Adolphe Bouguereau.
In 1980 he went to Paris and there, at Atelier 17 with Stanley William Hayter, he studied colour etching.
After five months there he went to Paris, where he remained about eighteen months at death's door from consumption.
Embarking on a career in the sciences, he went to Paris and studied at the Collège de France, the Ecole des Mines de Paris and the Muséum national d'histoire naturelle, and with Georges Cuvier, Étienne Geoffroy Saint-Hilaire, and Adrien-Henri de Jussieu.
Next year he went to Paris on the occasion of Prince Charles's journey to Madrid, and again in 1624 to join Henry Rich, afterwards Lord Holland, in negotiating the prince's marriage with Henrietta Maria, when he advised James without success to resist Richelieu's demands on the subject of religious toleration.
At the age of twenty he went to Paris, where he studied under Jacques-Louis David and Jean-Jacques Karpff, but at the end of seven years he returned to his native city.
After beginning a banking career, he went to Paris during the Second World War to help Noël Coward in a propaganda office, then returned to London to work in the War Cabinet office and later at the Ministry of Production.
In 1847 he went to Paris, where he studied lithography, drawing, and painting with M. Thurwanger, with whom he came to Philadelphia in 1849, and completed his studies.
After obtaining a diploma from the Faculty of Economics at the University of Zagreb in 1964, he went to Paris, where he graduated from the Dramatic Arts College Charles Dullin at Théâtre National Populaire.
In 1937, he went to Paris, France, and studied composition at the Ecole Normal de Musique with composer Paul Dukas and with the great teacher Nadia Boulanger.
He went to Paris to study classical composition, and by the 1930s had become an established jazz pianist, arranger and writer of popular songs; around this time he began composing film scores, with his first known work being for Jean Renoir's first sound film, On purge bébé, for which he was uncredited.
His mother and maternal grandmother were both attached to the court of Marguerite of Navarre, on whose death in 1549 he went to Paris, and later (1555) to Poitiers, to finish his education.
He went to Paris and became professor of Hebrew at the Collège de France, (professor of the Hebrew language, 1549 to 1554).
As a young man he went to Paris to study Old Irish, where he met Kuno Meyer and attended Henri d'Arbois de Jubainville's lectures at the Collège de France.