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Yet in Rome and in Italy it was not Caravaggio, but the influence of Annibale Carracci, blending elements from the High Renaissance and Lombard realism, which ultimately triumphed.
His classical inclinations sprung from his affinity for the work of artists as varied as Andrew Wyeth, Bouguereau, Rembrandt and a host of High Renaissance painters.
Prose literature thus increasingly dominanted the expression of romance narrative in the later Middle Ages, at least until the resurgence of verse during the high Renaissance in the oeuvres of Ludovico Ariosto, Torquato Tasso, and Edmund Spenser.
Denis Arnold, Giovanni Gabrieli and the Music of the Venetian High Renaissance. London, Oxford University Press, 1979.
Designed by Bernardo Buontalenti for Francesco I de' Medici in the late 1580s, the most important antiquities and High Renaissance and Bolognese paintings from the Medici collection were and still are displayed here.