Ibn Khaldun | Ibn Battuta | Husayn ibn Ali | Hasan ibn Ali | Ibn Hisham | Jābir ibn Hayyān | Ibn Ezra | Abraham ibn Ezra | Tariq ibn Ziyad | Ibn Battuta Mall | Ibn Arabi | Solomon ibn Gabirol | Ibn Saud | Ibn Hawqal | Ibn Ezra (disambiguation) | Abu Sufyan ibn Harb | Yusuf ibn Tashfin | Qazan Khan ibn Yasaur | Muhammad ibn Jarir al-Tabari | Imam Muhammad ibn Saud Islamic University | Ibn Khordadbeh | Ibn Abi Zar | Hisham ibn Abd al-Malik | Amrus ibn Yusuf | Akhnas ibn Shariq | Abu'l-Fazl ibn Mubarak | Abd al-Aziz ibn Musa | Zayyan ibn Mardanish | Ubayda ibn as-Samit | Sulayman ibn Abd al-Malik |
He studied many texts under his tutelage including the Muwatta of Imam Malik, the Mudawwana of Sahnun, the Risala of Ibn Abi Zayd, the Tamhid of Ibn 'Abd al-Barr, the Muqaddimaat of Ibn Rushd, the Dhakira of al-Qarafi, the Sharh al-'Umda of al-Fakihani, the Mukhtassar of Khalil as well as many other prime texts of the Maliki school.
Those who saw the permissibility of music include Abu Bakr ibn al-Arabi, Ibn al-Qaisarani, Ibn Sina, Abu Hamid al-Ghazali, Rumi, Ibn Rushd, and Ibn Hazm.
The anonymous Dutch translator, "S.D.B.", gave a concise biographical review of the philosophers related to the text: Al Farabi, Avicenna, Al Ghazali, Ibn Bajjah, Ibn Rushd, Junayd, and Mansur Al-Hallaj (with a description of his death and a reference to his famous "Ana al-Haqq").