Indeed one artist, Mirza Ali, is claimed by Stuart Cary Welch and others to have contributed to the Freer Jami, while the theory of Barbara Brend that he was the same person as Abd al-Samad would place him working for Humayun and his son Akbar in just these years, first in Kabul and then in India.
Ibrahim Babangida | Abdullah Ibrahim | Anwar Ibrahim | Sultan Ibrahim | Dia Mirza | Ibrahim of Johor | Mo Ibrahim | Ibrahim | Mirza | Mirza Tahir Ahmad | Mirza Ghulam Ahmad | Mirza Fatali Akhundov | Ibrahim Pasha | Bashir Mirza | Saeed Akhtar Mirza | Muhammad Ibrahim Habsade | Mirza Basheer-ud-Din Mahmood Ahmad | Ibrahim Pasha of Egypt | Yaacob Ibrahim | Shafqat Tanvir Mirza | Sania Mirza | Saad Eddin Ibrahim | Mirza Delibašić | Ibrahim Sultan Ali | Ibrahim Ben Ali | Ibrahim Amin | Begum Khurshid Mirza | Aziz Ibrahim | Abu Sa'id Mirza | Sonallah Ibrahim |
Between 1556 and 1565, while he was governing Mashad, Prince Sultan Ibrahim Mirza, nephew and son-in-law of Shah Tahmasp I, commissioned his own atelier of painters and calligraphers to create a sumptuous illustrated version of the Haft Awrang, producing one of the undoubted, and last, masterpieces of the Persian miniature, now in the Freer Gallery of Art, and known as the Freer Jami.