At La Scala in Milan, she created again for Bellini, Imogene in Il pirata in 1827, and Alaide in La straniera in 1829.
In 1826 she sang in the premiere of Giovanni Pacini's La gelosia corretta at La Scala and returned to that house the following year to perform the role of Adele in the world premiere of Vincenzo Bellini's Il pirata.
making a specialty of lesser-known works by Donizetti and Bellini, appearing in concert performances for the London Opera Society and stage productions by Opera Rara, notably the title role in Torquato Tasso, Corrado in Maria de Rudenz, Ernesto in Il Pirata.
In that same period, Italian musicologist Rodolfo Celletti, who was also an amateur singing teacher, tried to restore the falsettone technique, training the tenor Giuseppe Morino, who made his debut singing the tenore contraltino role of Gualtiero in Bellini’s Il pirata, at the Festival della Valle d'Itria in Martina Franca.
Yevgeny Kolobov was the first opera conductor in Russia to stage Verdi's La forza del destino, Bellini's Il Pirata, Donizetti's Maria Stuarda, Catalani's La Wally, Verdi's I Due Foscari, Mussorgsky's Boris Godunov in the composer's original version and Thomas's Hamlet.
Marco Pantani (1970–2004), Italian cyclist, nicknamed Il Pirata