The collection also included works from other periods such as Nuns” by Alessandro Magnasco and several paintings by John Constable and Francisco Goya.
In later years he visited France in 1833, England in 1835 (especially to study the works of John Constable) and Germany.
The Luminists tended to depict landscape scenes (in the tradition of John Constable and Joseph M. W. Turner) with a romantic sensibility, much like Jackson was doing.
He is an avid art collector and owns the world's top collection of John Constable.
Between 1993 and 1995, a Turner ("Van Tromp going about to please his Masters, Ships at Sea, getting a good wetting" c.1844), Constable ("A Sketch for View on the Stour, nr Dedham" c.1821/2) and Gainsborough ("Peasants going to Market: Early Morning" c.1770) were sold for a total of £21m.
John Horne Tooke, philologist and politician, lived here in about 1804; John Constable lived here 1810–11; John Bell, the sculptor, in 1832–33 and William Hazlitt wrote his last essays while he was lodging at No.
The initial assets of the foundation were funded by the sale of a John Constable painting left to Mrs. Ford by her husband.
Among works that particularly inspired him during this period were paintings by Thomas Gainsborough, Claude Lorrain, Peter Paul Rubens, Annibale Carracci and Jacob van Ruisdael.
Bowling is influenced by the use of light in the paintings of European Romantics such as J.M.W. Turner and John Constable as well as by the later work of George Inness.
"Salisbury Cathedral" by John Constable was what Ernest Louis Leaf thought he was buying on 8 March 1944 from International Galleries.
The Spedding family had strong links to a number of poets, including William Wordsworth, Lord Alfred Tennyson and Robert Southey as well as Thomas Carlyle and John Constable, some of whom stayed at Mirehouse.
John Constable 005.jpg"?title=John Constable">John Constable, c.
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The Stour valley has been portrayed as a working river by John Constable, Thomas Gainsborough and Paul Nash.
His works have been likened to those of John Constable, Edward Seago, and Campbell Mellon, British painters whose styles were influenced by the Barbizon School and Impressionism.
John Constable (English 1776–1837) believed in the importance of working from life and based his paintings on sketches and drawings of the landscape.
Doubtless this was fuelled by the Romantic landscape paintings of Turner, Constable and Friedrich and by the works of the Lake District's very own poets, Wordsworth, Coleridge and Southey.
In 1816, owner Major-General Francis Slater Rebow commissioned John Constable to commit the house to canvas for the fee of 100 guineas.
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His writings include studies on Wilhelm Lehmbruck, Eugène Delacroix, Nicolas Poussin, Jan Vermeer, John Constable, Paul Cézanne, Raphael, Vincent van Gogh, Paolo Veronese, Ernst Barlach and attacks on the methodology of the "second Vienna school" of art history dominated by Hans Sedlmayr.
The Hay Wain is a painting by John Constable, finished in 1821, which depicts a rural scene on the River Stour between the English counties of Suffolk and Essex.
Willy Lott's Cottage is a 16th-century cottage in Flatford, East Bergholt, Suffolk, England that features in John Constable's painting, The Hay Wain.
The Ruth B. Zigler Memorial Wing - also called the Fine Arts Gallery, houses a collection of American and European masterpieces by such painters as Anthony van Dyck, John Constable, George Inness, Rembrandt Van Rijn, Charles Sprague Pearce, Helen Turner, Albert Bierstadt, Camille Pissarro, Maurice de Vlaminck and Albrecht Dürer.