In 1925, the Brasileira began to exhibit the paintings of the new generation of Portuguese painters, that frequented the café: José de Almada Negreiros, António Soares, Eduardo Viana, Jorge Barradas, Bernardo Marques, José Pacheko and Stuart Carvalhais.
His manifests were highly provocative, like "Manifesto Anti-Dantas", a humorous and aggressive text against Júlio Dantas, a major figure of arts and culture of Salazar's regime which stands as a banner against mediocrity and conformism.
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This same year Almada Negreiros writes the famous Manifesto Anti-Dantas e por extenso, a humorous attack against a more traditionalist and bourgeois older generation.
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